Hello. Thank you so much for joining me today. Can you tell us a little about your novel, Manhattan Melodies Azorean Dreams and what inspired it?

Manhattan Melodies Azorean Dreams is deeply personal, as it draws from my own experiences from a trip I have taken to the island of Sao Miguel. The novel follows two individuals in different stages of their lives, who find each other when they need each other the most, despite being from vastly different worlds.

The inspiration came during a visit I made to the Azores, a place that holds a special significance for me. Walking through the lush landscapes with my fiancée, the Atlantic stretching endlessly on the horizon, I couldn’t help but reflect on how different life felt there compared to the city. The reason I selected Manhattan as the home location for the protagonist Olivia, I had anticipated getting engaged there, but alas the Covid virus vetoed my plans. That contrast—between the hectic, concrete jungle and the tranquil, almost timeless feel of the islands—sparked the idea of a character caught between these two places.

Through the novel, I explore themes of identity, cultural heritage, and belonging. Like my protagonist, I’ve often felt the pull between these two worlds, trying to navigate the fast-paced city life while being deeply connected to the quieter, introspective rhythms of the Azores. The novel became a way for me to reconcile those feelings and celebrate both the rush of the city and the profound beauty of the islands.

What’s your typical writing day like? Do you have any writing rituals like writing in silence, a favorite place to write, coffee or tea?

I start writing usually in the evenings, usually with a bucket sized cup of tea perched on the arm of my sofa. I prefer writing in silence, though sometimes instrumental jazz or classical music sets the mood. I write for several hours, aiming for a balance between disciplined output and creative flow.

Were there any challenges when writing your novel?

One of the main challenges was capturing the essence of two vastly different places—New York and the Azores—while making them feel interconnected. Balancing the pacing was tricky as well; I had to ensure that the slower, reflective moments of island life didn’t drag down the story’s momentum, while also letting the hustle of Manhattan breathe naturally into the plot.

With my homeplace being situated up a single-track country road, that in places is only marginally wider than a patio door, and being constantly surrounded by birdsong, painting a vivid landscape of the island of Sao Miguel using appropriate diction to keep the reader invested is second nature to me, almost to the extent wherein the Sao Miguel itself almost becomes a character However, I have my doubts that I have been able to pull this off in the Manhattan landscape where the early chapters of the novel is set.

Which songs would make up a playlist for your book?

The playlist would be comprised exclusively of long songs. Top three songs would include:

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