Your latest release, The Pink Hotel was nominated for the Orange Prize. Can you give us a plot summary?
The Pink Hotel is about a androgynous, violent, nameless seventeen-year-old London girl who flies to LA to attend the wake of her estranged mother. She steals a suitcase of letters, clothes and photographs from her mother’s bedroom at the top of a huge pink hotel on Venice Beach, and spends her summer travelling around LA returning love letters and photographs to the men who knew her mother.
Where do you find your inspiration?
The Pink Hotel was inspired by living in Los Angeles for two years. When I first arrived in the city at the end of a road trip around California and Nevada, I stayed in this giant art-deco pink hotel on Venice Beach. Outside my window were children on rollerblades and cartoonish men and doll-shaped women and an old man playing the piano on the sidewalk. Like the protagonist of The Pink Hotel, I meant to stay for a week but ended up living in an apartment on the cusp of Thai Town and Little Armenia in East Hollywood, for much longer than expected.
Describe your typical writing day.
I either write at home, in London, on the same beat-up desk where I wrote fairy stories and did math homework as a kid, or I write in coffee shops: I like the basement of Café Nero on Frith Street, or the Costa Coffee near my house. I have perfect concentration if surrounded by strangers, even noisy ones, but I fall to pieces if someone I know is nearby. So I can’t do The London Library or the British Library, but I can do local libraries. I drink a lot of coffee and chew pencils to bits.
Do you do any kind of planning before beginning a new book?
I do plan, but I’m not good at following orders (even my own). My instinct is to sneak off and have a cigarette behind the bike shed, or whatever the writing equivalent is: basically I have trouble making my characters do what they’re told during a first draft.
How do you approach the editing stage?
This is when I force the characters into submission. I like editing. It doesn’t have the raw adrenaline of a scrawling out a first draft, but I like seeing my words tighten and my plot get under control.
Is there another author you admire?
Many. Margaret Atwood, Hilary Mantel, Truman Capote, Graham Green, Ted Hughes…
Which book(s) are currently on your nightstand.
I’m about to finish Journey by Moonlight by Antal Szerb, which is fantastic. “I love you because you’re part of me. I loved Eva because she wasn’t. That’s to say, loving you gives me confidence and strength, but when I loved her, it humiliated and annihilated me…”
What three things would you want to have with you if stranded on a desert island?
I’m not good with heat; I’d get very grumpy if stranded on a desert island. Can I have a large air-conditioned tree house? With a top floor library looking out on the ocean. And a freezer full of ice cubes.
Is there a character from fiction you’d like to meet?
The White Rabbit would be fun. Not a great conversationalist, and he’d probably be late, but he knows all the good rabbit holes.
Which one of your characters is your favourite?
I have a longstanding crush on David, the love interest in The Pink Hotel. He’s a secretive giant, and part of the LA paparazzi. He has issues, and he falls in love with the one person he shouldn’t.
What is the best/worst thing about being a writer?
The best is when you’re on a roll and nothing outside your head matters. The worst is when you fall too far inside your head and struggle to resurface while the “real” people in your life tap their feet and frown at you from a murky distance.
Are you working on anything at the moment?
I’m finishing my next one, out March 2013.
Five tips for new writers?
For more information on Anna, visit her website.
The Pink Hotel is available via Amazon.
Novel Kicks is a blog for story tellers and book lovers.
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