NK Chats To….

Our Author Interviews and Guest Posts.

NK Chats To… Angie Elita Newell

Angie Evita NewellHi Angie, thank you so much for joining me. Can you tell me about your novel, All I See is Violence and what inspired it? 

Hello Laura! My novel is about the attempted cultural annihilation enacted against the indigenous North Americans by the United States government. This policy is very nuanced, and the people enacting it and experiencing it reacted in very personal and not necessarily typical ways, so I wove the timeline of 1876 and the coming-of-age experience of the female warrior Little Wolf against the seasoned military fighter Lieutenant Colonel George A. Custer and parallel that to her future relation Nancy Swiftfox in 1972 at the height of the American Indian Movement.

 

What’s your typical writing day like? 

Each writing day is different. If I am working on the actual story, I spend more time thinking about the story and the characters and what their world was like versus actually writing.

 

What are the challenges you found when writing your novel? 

The challenge I found was finding a publisher, the more people I talk to in the writing industry the more seem to all experience this, so I am going to say it is a writing rite of passage.

 

From idea to finished book, what’s your writing process like and how long does it typically take you? 

I think each story is unique but two years from start to finish seems to be my rhythm, I work with historical fiction and I am trained as a historian so there is an archival research component to my work that takes some time against the dreaming of it in my mind.

 

What’s your favourite word and why? 

Amazing. I am continuously awestruck with beauty and appreciation for this life and this world, despite everything at its core it is pure love and amazing.

 

Which fictional world would you like to visit and why? 

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NK Chats To… Lesley Cookman

Hi Lesley, thank you so much for joining me today. Can you tell me about your latest novel, Murder by Christmas?

Thank you for inviting me! Murder by Christmas is the 25th in the Libby Sarjeant series. Libby is in the final throes of pantomime rehearsals, when she and her friend Fran become involved in the investigation into a local brewery. This involves visits to many pubs – naturally!

 

What’s your typical writing day like? Do you have any writing rituals?

I write as soon as I can get into the office – any time between 10 and 1pm and for as long as I can before the cats need feeding again.

 

What are the challenges you found when writing this novel and does writing a series present challenges? 

The challenge of this one was the short time (3 months) in which I had to do it.  And writing a series is definitely a challenge – trying to come up with different plots and not repeat myself.

 

Which songs would make up a playlist for your book?

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NK Chats To… Ryan Haidar from Your Paper Quest – A Self Published Book Subscription Service

Ryan

Hello Ryan. Thank you for joining me. How about we start by you introducing yourselves and telling us a bit about your fantastic sounding book subscription box, Your Paper Quest. 

Where did the idea for this service come from and what makes your box unique? 

The idea actually began during Covid. I had started a Bookstagram account and quickly realised that the Bookstagram community were all frequently posting about the same few books. I was always looking to include different voices from the mainstream and that’s when a few self-published authors had actually reached out to me about reading and featuring their stories. From there, an idea had formed, and I began brainstorming how to best connect these indie and self-published authors with curious readers, and Your Paper Quest was born!

YPQ is unique in that we’re the only subscription box that exclusively features self-published and indie stories. We also include notes from the authors that complement each story, as well as have a virtual book club where subscribers can discuss the stories with each other as well as ask our featured authors questions for the end of the month interviews that they participate in!

 

What challenges did you face setting it up? 

Steve

There have been so many challenges along the way that it’s hard to choose. I would have to say that the hardest part was genuinely getting started. It felt like (and turned out to be) such an endeavour that most of the time I didn’t even know where to begin. Breaking everything up into baby-steps and taking it one day at a time made a massive difference though. Whether it was the packaging, the website, the contracts, there was so much that I had to learn throughout the process. The current, and constant, struggle is marketing, getting the word out about who we are and what we’re doing! That all being said, I’d easily do it all again, this has been such a rewarding experience and the positive response we’ve received from the community has been nothing short of amazing.

 

The service is for indie authors. How important do you think a service like this is to them? 

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NK Chats To… Chris Wade

Hi Chris, thank you for joining me and welcome back to Novel Kicks. You’ve recently written a mystery thriller, Three Days in the Rain. Can you tell me about it and what inspired it? 

Hi Laura. Well, one day I just started writing this scene that popped into my head. It involved a private investigator sitting in a man’s office. You could tell the man was rich, powerful, maybe a bit ruthless, and I had this image of the gentleman passing a photograph across the table to the investigator of a very beautiful woman. I remember that the story just came to me right there as I was doing that first chapter, the entire thing began to map out in my head. It sort of grew organically, but quickly. In short, it’s about this investigator who gets hired by a wealthy business man to follow his much younger girlfriend, who he is suspicious of. At first the detective thinks the old man is paranoid and actually a bit of a tyrant, a jealous man and control freak. As he starts to follow the girl though, he learns more and more about her, but hardly any of it is what it seems and as the story goes on, more and more mysteries are revealed. I had such fun writing it, presenting riddles and new twists and turns. It was one of the most enjoyable writing experiences I’ve ever had.

 

What was your writing process like for Three Days in the Rain, how long did it take you from idea to publication, how did you approach the planning process and has it changed much since you first started writing? 

I honestly worked like a mad man on it, doing 12 to 15 hour days, maybe even more. The book is about 200 pages long but if I am honest it took a few weeks in all, including the edit. It was so smooth and fun, and it helped that all the story was just there waiting in my head, ready to come out on to the page. Nothing changed either, apart from a couple of tiny details at the very end. It was fully formed. I just kept following this very strong image of this beautiful dark haired woman who the main character becomes obsessed with, and it all just came out. I’d write a chapter a day and then I edited it all non-stop over and over for a couple of weeks. It was hard in a way, tiring too, but also extremely satisfying.

 

You’re also known for non fiction projects including works featuring James Woods and Oliver Stone. Does your writing process differ when writing fiction compared to non fiction? 

Writing about films is just really fun. You obviously have to structure the film essays and make sure you ask decent questions when interviewing an actor or director, but you use a different kind of energy doing non-fiction, for sure. When I am writing fiction, the imagination is on overdrive, it’s basically running wild, and I am trying to keep myself in line and all the ideas in keeping with the story. It’s really liberating too. Writing these film books is just a treat, and they are actually a dream come true as well. As a kid in the 1990s I just loved films, and people like Sharon Stone, James Woods, Oliver Stone, and all those Hollywood legends were idols to me. Getting to work with them and interview them today as an adult just seems unreal. So the non-fiction and the fiction are totally different, and I love going from one to the other. That way I never get bored or even slightly frustrated.

 

What challenges did you face when approaching a fictional novel compared to the non-fiction books? 

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Novel Kicks Writing Room: A Moment With… Monica Cafferky

Monica Cafferky is joining us with the blog tour for her novel, A Winter’s Sleep.  She has made a living with words for over 30 years, first as a journalist and more recently with her supernatural thriller The Winter’s Sleep. Here, Monica shares her tips for making a start on your own novel – “stop thinking about it, just start writing.”

 

Tip 1: You need to read.
Before you put fingers to keyboard, or pen to paper, you need to know your genre. Read the kind of books you want to write.

If you love spooky stories, it’s Halloween after all, read the classics like Dracula by Bram Stoker and The Haunting of Hill House by Shirley Jackson. Or, opt for more contemporary novels such as Thin Air by Michelle Paver or my own The Winter’s Sleep.

Or do you prefer historical fiction? Fill your boots with tales from writers Philippa Gregory and Elizabeth Chadwick. If romance is your first love go for Sarah MacLean.

What’s important is that you READ. By reading, you will discover how to structure a story in your genre, how to construct a good plot, develop characters and layer in myth. Without these important elements there is no compelling story.

 

Tip 2: Start writing notes to yourself.

As the story starts to take shape in your mind you will have brilliant (I hope) insights, often when you least expect it – washing up, walking the dog, in the bath. It’s important not to lose these snippets of plot and character. You need to make a note of your ideas because, trust me, you won’t remember them later on.

Ideas are funny things, unless they’re fully formed, and repeated often, they slip away like a balloon in a strong breeze. Write these ideas down in your journal (that you use just for the novel) or create an audio note on your mobile, and then write it down later.

Let the foundation of the book take shape with these ideas, and collect these ideas together. You need to know what your book is about before you start the actual writing, otherwise you will find your story, and your sanity, unravelling around a quarter of the way through the plot.

 

Tip 3: What’s your character’s quest?

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NK Chats To… Margaret Amatt

Hi Margaret, thank you so much for joining me and inviting Novel Kicks onto your blog tour. Can you tell me about your novel, Highland Fling on the Whisky Trail and what inspired it?

Whisky production is a big thing in the area I live. There are two distilleries quite close to me and even more the further north you travel. I read an article about a family run distillery in the highlands and how they’d been forced to diversify and adapt to keep up with larger companies.

It sparked the idea but I didn’t initially see it as a story in itself. The first book in the Glenbriar series Stolen Kisses at the Loch View Hotel is where I first used the idea for the whisky business.

As that story developed, the idea for Highland Fling on the Whisky Trail developed too. The main characters have both appeared as side characters in previous books and they fitted perfectly into this story.

 

What’s your typical writing day like? Do you have any rituals and from idea to final draft, how long does it take you to write a book?

My writing days are on Monday and Tuesday. I pretty much have to stick to that as I have another job the rest of the week. Once I get writing and get in the zone, I can become immersed for hours! I don’t have any rituals but I do follow a plan for each book.

Usually the better planned they are, the quicker I can write them. The fastest first draft I ever wrote was seventy thousand words in 6 days! But normally it’s nowhere near as quick. That was a very happy fluke. My first drafts usually take about two months to write and then I spend at least that again, sometimes more, on editing.

 

What research do you usually undertake and how do you know when you’ve done enough?

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NK Chats To… Helen Golden

Hi Helen. Thank you so much for joining me and inviting Novel Kicks onto your blog tour. Can you tell me about your novel, I Spy With My Little Die and what inspired it?

I Spy With My Little Die is the sixth book in the A Right Royal Cozy Investigation series and in it, not only do we have a couple of juicy murders for my main characters to get to the bottom of, but this book will tie up all the loose ends surrounding Lady Beatrice’s husband’s death in a car accident fifteen years ago. So it’s a mystery within a mystery. I’ve always liked reading books where there’s a meaty subplot that runs throughout the series. In this book the main plot and the series subplot meet head on.

 

What’s your typical writing day like? Do you have any writing rituals and from idea to finished book, what’s your writing process like (planning, research etc) and how long does it typically take you? 

I don’t have a ‘typical day’ as such, I’m not a big fan of routine, but I do have a ‘to-do’ list that I work my way through each day. That list might include doing some research, finishing the next chapter in the work-in-progress I’m currently working on, arranging book promotions, creating and reviewing my adverts, plotting my next murder (fictional, of course!), and doing interviews. You may be surprised to know that only about half of what I do is actually writing. Research and planning are vital to enable me to keep me on track and to help me avoid hitting a road block when I’m actually writing, so I spend a lot of my time outlining my plot, especially the murder, before I put pen to paper. It normally takes about a month to research, plan, and outline my book but that could be spread out over a couple of months or even longer.

 

What are the challenges you found when writing your novel especially as it’s part of a series?

I find it easier now that I’m on the sixth book in my series as I know and understand my characters so much better – they have their own voice. On the other hand, coming up with a murder method is getting more difficult – there are only so many ways you can kill someone!

 

Which songs would make up a playlist for your book? 

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NK Chats To… Margaret Amatt

Twos company at the forest light showHi Margaret, thank you so much for inviting Novel Kicks onto the blog tour for your novel, Two’s Company at the Forest Light Show. What’s your typical writing day like and how long does the writing process take you overall?

I’m a binge writer so when I get in the zone I keep going as long as possible! This usually happens when my son is at school and the house is quiet. I can write from nine a.m. to three p.m. with only short breaks. I find it the best way to keep the flow of the story going. On good days, I’ll write in the evenings as well.

Overall, I’m quite a fast writer, but to do that I spend a lot of time planning the books before I write a word. Once I know exactly where I want the story to go then I start. sometimes they detour here and there from the plan but generally speaking it keeps me on track and means I always know what I need to write.

 

Which songs would make up a playlist for your book?

That’s a really tricky question. I’m not sure what would fit this particular book. I’m thinking some power ballads for Cha and maybe something classical for Nick! Something that shows their opposite personalities.

 

What’s the most surprising thing you’ve discovered since you’ve started writing?

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NK Chats To… Jessie Wells

Jessie WellsHi Jessie, thank you so much for joining me today with the blog tour for your novel, Saving The Good News Gazette. What’s your typical writing day like? From idea to finished book, what’s your writing process like and how long does it typically take you?

As I have a full-time job and two children, it typically takes me about a year from start to finish and involves me initially researching and jotting down plot points and characters, and ends with a triumphant email to my editor with a manuscript attached! In between, there’s plenty of hours at the computer, a few head in hands moments, and a lot of support from my lovely husband and children.

In terms of a typical day, it usually starts with a 5am alarm and a huge cup of coffee, and then I sit down and write for an hour or so until the children come downstairs and start asking for breakfast. I then spend a day at work and in the evening, after the kids have gone to bed, I’ll often sit back down at my computer again. As I say, I have a very supportive husband!

 

What are the challenges you found when writing your novel especially
when it’s a part of a series?

Keeping the whole thing feeling familiar yet fresh for readers. I want people to feel like they’re reading something new, while enjoying the comfort that comes from hanging out with old friends.

 

What songs would make up a playlist for your book?

Most of The Shires’ playlist! Ours is a busy household, so if I need to write at the weekend when everyone is around, I’ll often stick my ear pods in to drown out all the noise. The Shires has probably been the most played soundtrack to The Good News Gazette series so far.

 

Good News GazetteWhich fictional character would you like to meet and why?

Eleanor Oliphant. Her character was painted so beautifully, with so many quirks and imperfections, that I’d love to meet her in person.

 

Which authors do you admire?

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NK Chats To… Felicity George

I am so pleased to be welcoming Felicity George to Novel Kicks today. Felicity, can you tell me about your novel, A Courtesans Worth and what inspired it? 

A Courtesan’s Worth is a steamy Regency Romance described as ‘Bridgerton meets Moulin Rouge’ (but don’t worry, there’s a happily-ever-after!). It’s the against-all-odds love story of a famous courtesan and a curate-turned-novelist, inspired by the salacious memoirs of Regency courtesan Harriette Wilson, and also by my years-long interest in the sex workers of eighteenth- and nineteenth-century Britain.

 

What’s your typical writing day like? 

It primarily involves carving several pockets of writing between other responsibilities. I find setting timers on my computer helps me stay focused.

 

What are the challenges you found when writing your novel?

On some days, it seems that everything about writing a novel is a challenge. But I’d say the hardest thing is not letting myself give in to imposter’s syndrome or self-doubt. Creatives must fight a near-constant battle with the little hater in our heads that tells us we aren’t good enough, but it’s a worthy fight to fight! I try and remember there are people who genuinely love my novels, and knowing that they will receive joy reading them is very motivating.

 

Which fictional character would you like to meet and why? 

Perhaps Elizabeth Bennet, from Pride and Prejudice. I think she’d be a great bestie and loads of fun.

 

What elements make up a good story? 

Well-developed character arcs and a structured plot are the critical building blocks of a good story, but of course there must also be an emotional element. Readers need to care about the characters, and in order for that to occur, an author must develop character agency. This is why I have no worries about AI taking over fiction – an author must be a student of human nature!!

 

From idea to finished book, what’s your writing process like and how long does it typically take you? 

I’m a plotter, so typically I spend about two to four weeks working first on character arcs and then developing the plot. Before I start writing, I have every scene in the book mapped out. The first draft takes about two to three months, depending on how much revision I do along the way. I then start my revision process, which takes another couple of months. So all in all, from beginning to having a draft to send to my editor, it takes me about five to six months to write a novel.

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NK Chats To…Sheila McClure

I am so pleased to be welcoming Sheila McClure to Novel Kicks and the blog tour for her novel, ScotLander. Hi Sheila, can you tell me about your novel, Scotlander and what inspired it? 

Hello and yes, of course! I used to be an entertainment reporter in Los Angeles and then I moved back to the UK and met and married a Scotsman (whose eyes are remarkably similar to someone’s in the book) and now we live on a farm where the learning curve was STEEP.

I was getting regular queries as to when I was going to write about us and, rather than writing about our actual lives, I thought it’d be fun to write a variation on a theme. When I was thinking about it Outlander was (and still is) huuuuuge. I had never really watched it and had a friend who was a superfan. I think superfans are amazing.

So I decided to combine a few ideas into this one madcap adventure about a fully immersive Jacobean experience and, of course…falling in love when you’re out of your depth.

 

What’s your typical writing day like? 

I’m an early to bed early to rise kind of gal (clearly destined to be a farmer, LOL). I usually get up around five or six and go straight to the keyboard. I write until about lunchtime and then it’s over to the farm. The only variation is if the dogs or cows need seeing to and then I do whatever needs to be done with them first and then head to the keyboard.

 

From idea to final draft, how long does it take you to write a book? 

Oh, gosh. That’s tough to quantify. I have a billion ideas all the time, but I would say three to four months is my usual stint on a book. Saying that, I’m writing a couple of crime books right now and they are taking longer!

 

What songs would make up a playlist for your book? 

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NK Chats To… Francesca Scanacapra

I am so pleased to be welcoming Francesca Scanacapra to Novel Kicks with the blog tour for The Daughter of Paradiso. Hi Francesca. Can you tell me about your novel, The Daughter of Paradiso and what inspired it? 

This is the third book in the series and follows Paradiso and Return to Paradiso. We are now in the early sixties and the protagonist, Graziella, has left her abusive husband and is making a new life for herself and her young daughter in her old childhood home, Paradiso.

The main theme which drives the story is women’s fight for equality in a time and place where men are still very much in charge. However, the story is not all about struggle and injustice. There is also a strong theme of friendship and community.

Much of the inspiration for this has come from having moved recently to rural Lombardy, where the books are set. Social and family bonds are still very strong here. In this very moment, as I sit at my desk with the windows wide open, I can hear the loud conversations of group of elderly gentlemen who congregate outside a neighbour’s house every day to gossip and put the world to rights.

 

What’s your typical writing day like? From idea to final draft, how long does it take you to write a book? 

My most productive time for writing is the morning and I am usually at my desk by 9am. How long I write for depends on how the inspiration is flowing on the day. Sometimes I won’t come up for air until the evening. However, if the muse isn’t with me, I’ll take myself off and do something else. For me, that works better than trying to fight against a poor writing day.

Previously, when I still had a day job, completing a novel took years. Now that I write full-time, I’m averaging around six months; although I seem to write around 80% of the book in a few weeks and the remaining 20% takes far, far longer.

 

What are the challenges of writing an historical novel? 

It can be tempting to include too much history, and I was guilty of this when I first began writing. I had to learn the art of peppering the narrative with just enough historical information so as not to interrupt the flow of the story.

Giving a sense of time works best when little details are integrated into characters’ opinions, actions and beliefs, as well as the homes they live in, the clothes they wear and the food they eat. This makes for a far more engaging read than simply writing long paragraphs of exhaustively-researched facts.

 

Which fictional character would you like to meet and why? 

It would be extraordinary to meet Jean-Baptiste Grenouille from Patrick Suskind’s astonishing book, Perfume, the Story of a Murderer. This character is both a victim and a villain. Although his actions are diabolical, he is able to justify them both to himself and to the reader, and even to gain the reader’s sympathy. So yes, I would be intrigued to meet him, but it would probably be prudent not to do so alone.

 

Which authors do you admire? 

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NK Chats To… Charlie Dean

Hi Charlie, thank you so much for joining me today. Can you tell me about your novel, I Love You, Always Forever and what inspired it? 

I Love You. Always. Forever was written during a difficult period in my life. My mum had been diagnosed with kidney cancer as has Charlie’s and it was my coping mechanism, like my first book was with my dad’s dementia. I wanted to show that even when life is tough, you can still smile and find happy times. I decided to make it a dual timeline to show that family and friendships can last a lifetime.

 

What songs would make up a playlist for your book? 

I Love You, Always, Forever by Donna Lewis

Boom Shake the Room by Will Smith

Let’s Talk About Sex by Salt n Pepa

Face to Face by Siouxsie and The Banshees

 

From idea to finished book, what’s your writing process like, do you conduct much research, how long does it typically take you, do you have a typical writing day and any writing rituals? 

I am a complete pantser and just sit down and write. I’ve written novels in 3 months and also in three years. I usually start with an idea, something random that came to me in the night and go from there. My characters tell me how the story goes. I work and have family to care for so writing is a luxury in my spare time, I’m such a procrastinator though which doesn’t help either.

 

Which authors do you admire? 

I am the biggest fan of Philippa Gregory. Her writing makes you feel as if she lived in the time and knew the characters herself. She inspires me to write an historical romance but I just don’t have the time for the research at the moment.

 

What’s your favourite word and why? 

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NK Chats To… Nigel May

Hi Nigel. Thank you so much for joining me today with the blog tour for your novel. Can you tell me about Quilling Me Softly and what inspired it? 

Quilling Me Softly is a cosy crime novel set around a crafting group in a little sleepy village called Rooney-at-Burrow. I work as a TV presenter within the crafting industry so I have always loved crafting and crafters themselves. It seemed a weirdly perfect idea to have the craziness of a murder being solved by a group of people who normally get excited about making cards and scrapbooking. Normally it’s all about decoupage and not deception.

 

What songs would make up a playlist for your book? 

One of the characters, Sheena, sings in the Rooney-at-Burrow village pub so quite a few songs are actually mentioned. The book starts with Killing Me Softly by The Fugees and Sheena also sings Remember Me by Diana Ross And The Supremes, so definitely those two. I’d also have to have something by the Spice Girls as there is a spicy connection in the book (I’d probably pick Who Do You Think You Are) and something from Barbados as one of the characters comes from there. Rihanna was born there so I would choose Umbrella.

 

Which fictional character would you like to meet and why?

Hercule Poirot and Miss Marple as they are best sleuths ever created. Agatha Christie was a genius. Mind you, Miss Marple might have met her equal in Violet Brewer in Quilling Me Softly. She’s a very shrewd and tenacious lady.

 

From idea to finished book, what’s your writing process like and how long does it typically take you? Do you have any rituals before you begin writing? 

I always plot out characters before starting to write. That way I have my cast list, as it were, of the people who are going to be creating the action. Some change, some get jettisoned and some get killed off mid-story. I never know exactly what is going to happen. I always have a loose idea and obviously with a mystery I know who is behind the villainous action. This has actually been the quickest book I have ever written. Normally books take about six months. The first draft on this was done in three. Then the rewriting started! My advice to any writer is write about what interests you.

 

What’s your favourite word and why? 

I love the word plumptious. I don’t think it’s even a real word but I often refer to cushions being plumptious – a mixture of plump and scrumptious I suppose! It’s a lot of fun to say.

 

Any other advice for aspiring writers? 

I am going to say the same as a million other authors I suspect….never give up.

 

What are you currently working on? 

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A Moment With…Isabella Muir

I am delighted to be welcoming Isabella Muir and the blog tour for her book, A Notable Omission to Novel Kicks today. 

A 1970s debate on equality is overshadowed by a deadly secret…

Spring 1970. Sussex University is hosting a debate about equality for women. But when one of the debating group goes missing, attention turns away from social injustice to something more sinister.

It seems every one of the group has something to hide, and when a second tragedy occurs, two of the delegates – amateur sleuth Janie Juke, and reporter Libby Frobisher – are prepared to make themselves unpopular to flush out the truth. Who is lying and why?

Alongside the police investigation, Janie and Libby are determined to prise answers from the tight-lipped group, as they find themselves in a race against time to stop another victim being targeted.

In A Notable Omission we meet Janie at the start of a new decade. When we left Janie at the end of The Invisible Case she was enjoying her new found skills and success as an amateur sleuth. Here we meet her a few months later, stealing a few days away from being a wife and mother, attending a local conference on women’s liberation to do some soul-searching…

*****

A Notable Omission is the fourth novel in the Janie Juke series, crimes and mysteries set during 1969 and 1970. Here Isabella Muir provides some insight into what attracted her to this particular historical period…

 

Delving into the past

When I first conjured up Janie Juke I knew that her story had to be set in the 1960s.  It’s an era I have always loved.  My older brother and sister both grew up during the sixties, so I’m lucky to have first-hand memories of all kinds of wild events.  My sister was at the Rolling Stones concert on Hastings Pier in 1964 when tickets probably cost a few shillings.  My brother was a real mod, with a scooter, and the ‘mod’ uniform of a Parka jacket, with fur-lined hood.  He didn’t take part in the crazy event in 1964, when 5,000 mods and rockers planned to storm Hastings sea front to create the ‘Second Battle of Hastings’ and the police had to fly in extra officers to control the crowds, but he may well have inevitably watched from the sidelines.

I remember sitting gazing at my sister when she put on her makeup before a night out.  She aimed for that ‘bare-faced’ sixties look with just a touch of face powder.  All the focus was on the eyes, with white or sometimes bright blue eyeshadow and thick black mascara and eye-liner, trying to emulate the sixties model, Twiggy.  She would spend hours back-combing her hair into a bouffant style and then use oceans of hair spray to keep it just perfect.

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Nk Chats To… Jo Johnson

Hi Jo, thank you so much for joining me today. Can you tell me about your novel, Surviving Her and what inspired it? 

Surviving Her is a dual narrative domestic suspense that follows Nicky, a nine year old and Keziah, a twenty nine year old from the first day of their summer holidays.

The book explores the issue of emotional coercion, an issue that in my opinion  is poorly understood and always demonised when explored in the media. I see many people in my clinics who have stumbled upon control as a strategy to soothe their inner distress. Like many addictions, the desire to control starts small but often grows until it is harmful and destructive for the perpetrator and victim.

 

What’s your typical writing day like? 

Given my real life job is clinical psychology, I have to squeeze writing in the gaps. Sometimes I’m unable to write much for months but I scribble down notes and record voice notes when I have ideas to include in my novels. 

 

What are the challenges you found when writing your novel? 

Finding enough time. I find it hard to get back into the story if the gaps between writing splurges are too big.

 

Which fictional character would you like to meet and why? 

Will, the main character  from Jo Jo Moyes – “Me before You”. I loved that book and want to work with him as a psychologist so he doesn’t kill himself! I have a saviour complex!

 

What elements do you think make up a good psychological suspense novel? 

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Book Review: Daisy Does It Herself by Gracie Player

I am pleased to be welcoming Gracie Player to Novel Kicks. She’s here with the blog tour for her novel, Daisy Does it Herself.

Sometimes, the Last Place You Intended to Go is Exactly Where You Need to Be.

When 26-year-old Daisy’s life in London comes crashing down around her, the only thing she can think of is getting away – far away. That’s how she found herself stumbling off a train in England’s picturesque Peak District – 150 miles from home, with no idea why she’d gone there and even less idea how she intended to get home.

As Daisy explores the gorgeous village of Upper Finlay, she glimpses the possibility of a different life. The Derbyshire Dales offer up new friends, new opportunities, and a distractingly dishy object of attraction in the form of local bookstore owner Alex (and his bumbling Great Dane.) When Daisy discovers Alex’s business is in trouble she steps in to save the day.

But London’s Calling – literally. The life Daisy ran away from is calling her back. Why then, is she so reluctant to heed its call?

Daisy’s got a decision to make: Will she play it safe, and return to what she knew? Or is she brave enough to take a leap of faith and create a bold, new life for herself in the last place she’d ever expected?

Daisy Does it Herself is a sweet, uplifting romantic comedy about the power of self-confidence, friendship and of course love! Fans of warm and witty romantic comedies with a guaranteed happily-ever-after will be entranced.

*****

In one day, Daisy finds herself out of a job and out of a home. To make it worse, she walks in on her boyfriend kissing another woman. She leaves, just wanting to get away.

In her attempt to escape London, she finds herself on a train and eventually in Upper Finlay in Derbyshire.

Taken in by Alex, the handsome and friendly owner of the local bookshop, Daisy slowly starts to potentially see another life for herself. Will she go back to the familiar or jump into the unknown?

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A Moment With… Tony Bassett

I am pleased to be welcoming Tony Bassett to Novel Kicks. He’s here with the blog tour for his novel, Out For Revenge. 

When notorious gangland boss Tadeusz Filipowski is released from prison, several people start looking over their shoulder.

A volatile character, not shy of picking fights, Filipowski plans to expand his drugs empire and put his competitors on a backfoot. That’s until he turns up dead. Very dead.

DS Sunita Roy of the Heart of England police is handed the case but it’s a challenge to find the killer of a man with so many enemies.

DCI Gavin Roscoe would lend more support but he is busy nailing down suspicions of corruption plaguing the force.

Soon, however, the investigations will bump into one another. And unless Roy and Roscoe can get to the bottom of the mystery, they could well become the next victims.

OUT FOR REVENGE is the fourth gripping standalone mystery in the Detectives Roy and Roscoe crime fiction series by Tony Bassett.

*****

Without further ado, it’s over to Tony to talk about his writing process when writing his crime series. 

The days of the fictional English male detective bustling round quiet country villages solving murders are almost certainly numbered.

Books based on popular characters like Morse and Barnaby will, of course, always sell extremely well.

But writers new to the crime genre have to accept such characters may be a dying breed. This is why, in such a competitive market, anyone wishing to write crime novels with any chance of success has to be more inventive.

That explains why I chose for my series of crime novels set in the Midlands a female detective from a West Bengali background.

Detective Sergeant Sunita Roy is a twenty-five-year-old law graduate who has recently joined her Midlands CID department.

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NK Chats To… Sarah Rodi

Hi Sarah. Thank you so much for joining me today. Can you tell me about your novel, One Night with her Viking Warrior, and what inspired it?

When her parents are killed at the hands of Danish raiders, a young Saxon girl, Rebekah, becomes the ward of her powerful uncle Cynerik. Alone at the fortress of Ryestone Keep, Rebekah’s only pleasure is riding, until she falls in love with a stable boy, regardless of his lack of status. However, her uncle wishes her to marry his son, Atol, a cold and corrupt young man. Envious of Rebekah’s relationship with Rædan, Atol seizes him and does the unthinkable…
Eight years later, a fleet of Danish ships sails up the river and lays siege to the fortress of Ryestone. The leader of the Northmen is instantly recognisable to Rebekah even though he is much changed. Rædan is back for revenge on those who destroyed his life. Seeing Rebekah at his enemy’s side, and with a daughter too, his anger – and attraction – burns. The Saxons offer the Vikings gold and silver to leave their lands, but Rædan demands something much more valuable – one night with Lady Rebekah…

I wanted to write a story where my characters have endured a lot – and I can’t think of anything worse than being parted from your loved ones and kept captive. These two characters really deserve a chance of finding their happy ever after. I loved creating Rebekah – she is beautiful yet strong – and Rædan is a true warrior yet kind and compassionate.

 

What’s your typical writing day like and do you have any particular writing quirks or rituals?

I actually work full time on magazines, so I have to fit my book writing in in the evenings. I put my daughters to bed then settle down with a coffee and some peace and quiet and try to write at least a few paragraphs, so I have something to work off the next evening, before I write some more. Chocolate definitely helps with the inspiration!

 

What are the challenges you found when writing your novel?

I always find the first few chapters the hardest, as you’re laying the groundwork for the plot and the characters’ personalities – basically setting up the story. I spend a month or two getting those first chapters right, and then the rest of the book usually flows quite naturally.

 

Which fictional character would you like to meet and why?

In my books? All my heroes… they’ve all been different, but swoon-worthy! In someone else’s book? Elizabeth Darcy

 

What elements make up a good story?

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A Moment with… Colin Garrow

I am pleased to be welcoming Colin Garrow to Novel Kicks. He’s here with the blog tour for his novel, Blood on the Tyne: Red Snow – book 3 in the Rosie Robson series.

A dead body. A hoard of forged banknotes. A gangster out for blood.

Newcastle, December 1955. Returning home after a weekend away, singer and amateur sleuth Rosie Robson discovers a man lying on a baggage trolley with his throat cut. After the police get involved, an attack on Rosie and her boss prompts Inspector Vic Walton to find a safe house for the pair. But the bad guys seem to be one step ahead of them and Rosie is forced to track down a possible witness to the murder in a bid to learn the truth. Can the canny crooner solve the mystery before a Newcastle gang boss catches up with her? 

Set on Tyneside, Blood on the Tyne: Red Snow is book #3 in the Rosie Robson Murder Mysteries series.

*****

Without further ado, it’s over to Colin who is chatting about creating a book series. 

I assume that other authors, like me, create a series of books (ie a sequence featuring the same characters or setting/location) so the expectation that whatever readers loved about the first book will prompt them to read the others. But do we do it simply to have the same group of characters ready and waiting, therefore making the writing of additional books (in theory, at least) a bit easier? Or might it be to cash in on something that proves popular with readers? In my case, I have to be interested in what happens to my characters to keep me interested. Once I begin to lose that interest, there’s no point continuing.

With my Blood on the Tyne series, I originally started out with the idea of a character who would be a sort of British version of some of those American classics, like Chandler’s Phillip Marlowe, Mickey Spillane’s Mike Hammer and Ross Macdonald’s Lew Archer. Aside from the fact that these are all male characters written by male authors, I wanted to write something that had that same sense of noir (dark themes and equally dark subject matter).

But when I tried to come up with a kind of English private eye with Chandleresque witticisms and classic one-liners, it just didn’t feel right. Also, I already had Terry Bell (from the Terry Bell Mysteries series) who kind of fitted that role, albeit in a more laidback and naïve way.

Ideally, what I wanted had to make sense without seeming contrived, so instead of a male PI, I came up with an amateur detective but made her female. Making Rosie Robson an unwilling investigator, who just happens to be in the wrong place when the poop hits the ceiling fan, I came up with a woman who works as a nightclub singer and is forced to come back to her hometown of Newcastle for her mother’s funeral. In doing so, she gets embroiled in a murder hunt and meets a potential partner in the shape of Detective Inspector Vic Walton.

I also wanted her to be strong as well as a bit vulnerable, so popped her in the mid-1950s so she’d have to deal with the kind of sexist and misogynistic attitudes that were commonplace at the time, as well as countering ideas about women’s roles in the home and workplace.

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NK Chats To… Kerena Swan

Hi Kerena, thank you so much for bringing your blog tour for Driven to Novel Kicks. Which part of the writing process do you enjoy most?

I like planning the novel and defining the character traits but I sometimes struggle with writing the first draft. I always think it’s complete rubbish but once I re-visit it and start tweaking and editing it (a process I really enjoy) I then find it’s not as bad as I first thought. When I was training to be a social worker, we had to write assignments of 750 words. This sounded easy but in truth it was doubly difficult. Every word had to count so I used to write 2,000 words to get all the necessary facts and theories in then I’d have to cut out nearly two thirds of it. I learned to enjoy the challenge, though, and the skill has really helped me in my writing. I have to write council tenders for my care agency and the word counts are tight. I enjoy cramming loads of information into short paragraphs.

 

Some authors don’t read their reviews. Do you read yours?

For me, the most rewarding part of the whole writing process is reading the reviews. Whilst they may not always be positive – although all my books have ratings of 4.3* or above – I’m just thrilled to know that people are reading what I’ve written. What would be the point otherwise? Negative reviews that give reasons are really useful as they help me to improve. Also, if someone has taken the time to write a review the least I can do is read it.

 

In several of your books you feature a man with Down syndrome. Do you have personal experience with people with Down’s?

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A Moment With… Jessie Wells

I am pleased to be welcoming Jessie Wells to Novel Kicks. She’s here with the blog tour for her book, The Good News Gazette.

Because we all need something to smile about!

She may be down but don’t count this determined single mum out just yet…

Nine years ago, Zoe Taylor returned from London to the quiet hamlet of Westholme with her tail between her legs and a bun in the oven. Where once her job as a journalist saw her tearing off to Paris at a moment’s notice after a lead, now the single mum covers the local news desk. At least, she did…until she’s unceremoniously let go.

When Zoe invites her friends over to commiserate, wine and whining soon turns into something more… and before the night is out she’s plotted her next step: The Good News Gazette.

Now, as a developer threatens to force Westholme into the twenty-first century, Zoe’s good news movement finds her leading a covert campaign as a community crusader. She may have started The Good News Gazette as a way to save herself, but she might just be able to save Westholme in the process…

*****

To talk about why ‘writing about what you know’ could be the best advice you’re ever given, it’s over to Jess. 

For the past two decades, I’ve been toying with the idea of writing a novel. As a former journalist and avid reader, I’ve always loved words, so wasn’t daunted by the thought of writing lots of them. There was just one problem that kept cropping up; what the topic should be.

‘Write about what you know,’ was the advice that I kept being given, and in theory the adage makes sense. By writing about what they know, a writer can bring so much depth, emption and realism to a subject matter. They can inspire, inform, bring a new perspective to issues and lived experiences which have been under-represented or, worse, misrepresented.

But as a mum of two young children who was lucky enough, in my role as a freelance writer, to work from home, what could I possibly bring to the table? What could I have to say that women all the world over didn’t already know, or hadn’t already experienced, other than my top tips for how to get felt-tip out of fabric couches or how to deal with a rewritten Christmas list on the morning of Christmas Eve?

Plenty, as it turns out.

I can’t remember when, exactly, the idea for The Good News Gazette – a story about a single mum who starts up a good news newspaper to provide an antidote to the constant flow of bad news – came to me. What I do know is that, for some time, I’d had an increasing sense of fatigue about the negative news that, thanks to our 24-hour, multi-media news access, seemed ever-present – and that was before anyone had even heard of Covid.

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NK Chats To…Suzie Hull

Hi Suzie. Thank you for inviting me onto your blog tour. Can you tell me about your novel, Far Across the Ocean and what inspired it? 

There are several things that kickstarted the idea for this novel. I was at a hotel on the coast and on the wall they had documented the story of a baby who had been washed up on the beach one day. She and her mother had been in a little boat, but when they were found, the mother had died and sadly nobody ever found out the identity of the baby. there have been countless times when this must have happened through history, and also recreated in fiction, but Far Across the Ocean was my take on how that ‘baby in the boat’ situation might have played out.

The next part was choosing the setting for my novel. Within my own family we have a long line of Quakers from the Yorkshire area. One branch of the family had a Worsted woollen mill in Bradford and looked after their workers very well, as did most Quaker employers at that time. It made sense to weave this part into my story, and Clara’s mother, aunt and uncle came from this fictional family of mill owners.

The last part of the setting came from another snippet I found when looking up details on the Quaker family, and I discovered some had travelled to Madagascar in the late 1800’s. This island setting, so far from home seemed to be the perfect setting to place my ‘baby in a boat’ situation.

 

What are the challenges you found when writing your novel? 

I always wanted to ensure that I had done enough research to be respectful of the past history of the Malagasy people and represent their culture properly. I did have access to memoirs of European people who lived for a while on the island, but none of any Malagasy people from that time, which I would have liked, so that was my main challenge.

 

What’s your typical writing day like and in your opinion, what are the essential tools of the trade for a writer? 

I’m afraid I don’t really have a typical writing day. I have a day job in a school, so generally work in the afternoon or evening, but I’m quite flexible. On the other hand, I can’t do without using Scrivener. All of my early drafts are written on it, and then when structural edits come back, I’m still using it. I’d be lost without it as I like to dip in and out of different chapters when things occur to me.

 

From idea to finished book, what’s your writing process like and how long does it typically take you? 

I tend to have an idea about something that interest me for years before it comes to fruition. I love reading non-fiction books and when something stands out, I bookmark it, or jot down story ideas in a notebook or on Scrivener for the day I’ll get to write it. It could be anything up to five years before I finally commit a story idea to paper. In that time the story idea is percolating in my brain and I’m coming up with characters and plot ideas or gathering more information that I’ll need. One day I’ll get to sit down and write that story.

 

Which authors do you admire? 

There are so many authors I admire! Most of my favourites are female authors who write historical novels, either from my childhood are ones who write now. For example I loved Catherine Cookson, Daphne Du Maurier, Jane Austen and Mary Wesley. Recent authors are Dinah Jefferies, Kate Morton, Liz Fenwick, Jenny Ashcroft and Jojo Moyes.

 

Any advice for aspiring writers? 

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NK Chats To… Sandy Barker

Hi Sandy. Thank you so much for inviting me on the blog tour. Can you tell me about your novel, The Christmas Trip, and what inspired it?

When I wrote The Christmas Swap back in 2020, I didn’t know that I’d eventually write a sequel, but that niggling question, ‘Where are the May Ladies now?’ kept popping into my head. I wanted to bring them all together this time―from their various homes around the world―and thought ‘Hawaii!’ It’s a destination we’ve travelled to twice and it’s so incredibly beautiful. In Book 2, there are new characters, including Mama Leilani, plenty of May Ladies mayhem, some rocky romantic situations, and a Hawaiian Christmas to remember. It was a blast to write.

 

What’s your typical writing day like?

I still work in adult education 4 days a week, so I typically write or edit in the early mornings before switching gears to work mode. Fridays are a writing day but with the freedom of a sleep-in till at least 6:00am 😉. And I typically write on Saturdays and Sundays for at least a few hours. If I’m editing, I simply swap writing for editing on the same schedule but those weekends become a lot more intense. There’s usually a tight turnaround on edits―1-2 weeks.

 

What are the challenges you found when writing your novel?

Many authors, me included, will spend years writing their first novel. I drafted the book that became One Summer in Santorini so many times that the story started to ‘blur’ for me. It took a professional eye―my first editor, Molly Walker-Sharp―to help me pare back the story and go deeper into the characters while still maintaining my writerly voice and ensuring that the setting―the Greek Islands―really sang.

 

What songs would make up a playlist for your book?

I’m a die-hard Mariah Carey-Michael Bublé Christmas album fan. Throw in a bit of Bing, even Elvis and I am HAPP-PPYYY! I even love a lot of the Christmas hymns. ‘Angels We Have Heard on High’, ‘Silent Night, ‘The Little Drummer Boy’, ‘Oh, Holy Night’ … I’ll sing along at full volume. And, of course, The Christmas Trip is set in Hawaii so ‘Mele Kalikimaka’ and the (not-so-Christmassy-but a fave nonetheless) ‘Somewhere Over the Rainbow-What a Wonderful World’ by Israel Kamakawiwo’ole.

 

From idea to finished book, what’s your writing process like and how long does it typically take you?

From Chapter 1 to a completed manuscript typically takes me 3-5 months, depending on how much mental space I have outside of my other job. And editing earlier books often cuts into writing time. This book actually took me the longest to write since my first book―about 6 months―because I had to stop writing to edit A Sunrise over Bali and A Wedding in Tuscany.

 

What’s your favourite word and why?

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A Moment With…Brendan James

I am pleased to be welcoming Brendan James to Novel Kicks. He’s here with the blog tour for his novel, Gerard Philey’s Euro-Diary: Quest for a Life.

‘Could there be a world of interest and adventure beyond the Midlands? A world of confidence, sex and excitement? A better life – a better me?’ These are the questions Gerard Philey grapples with over New Year, 1995.

Sitting in his rented Black Country room, reflecting on his thankless teaching job and miserable love life, he courageously decides to abandon his humdrum existence and embark on a quest for Euro-fulfilment, fun and fitness on the Continent.

After a shaky start in Brussels, events manoeuvre him to Amsterdam where chance encounters shift his world well and truly into fifth gear. He samples the trials and tribulations of new relationships, alongside managing a sex shop in the city’s Red Light Area – on top of the challenges of fat-free living and international travel!

Through his bittersweet diary, we see how Gerard steers a laugh-out-loud course through farcical episodes and fanciful characters…and how entanglements from past and present draw him unwittingly into a criminal underworld where events ultimately take their toll.

*****

To talk about why he decided to write Gerard Philey’s Euro-Diary: Quest for a Life in a diary format, it’s over to Brendan. 

 

Several people have asked me why I chose the diary format for the novel.  The truth is that I’ve always been fascinated by diaries, both real and fictional.

I fell in love with Sue Townsend’s Adrian Mole diaries in my youth, and have re-read these many times since.

I was also always fascinated by the real life diaries of people as diverse as Kenneth Williams, Jo Orton and Alan Bennett, to name but a few.  What is it about diaries that I find so interesting? I supposed it’s partly the confessional element.

People record their innermost thoughts and feelings as a way to make sense of what’s happening in their lives, and often do this in a way that is frank, deeply personal and sometimes agonising.  And of course, sometimes hilarious to outsiders! Although most diarists keep a journal for their own private purposes, I think some also have a sense of displaying what they divulge to an imaginary audience, and almost revel in what could be seen as a form of exhibitionism – so there’s a strange and slightly contradictory tension between the private and the public, and this dual aspect of diaries I find compelling.

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A Moment With… Liz Taylorson (and Harry Brand.)

I am very happy to be welcoming Liz Taylorson to Novel Kicks. She’s here with the blog tour for her novel, Summer Showers at Elder Fell Farm.

 

A simple holiday just got complicated …

Single mum Amy has been struggling since her mother’s death and now her son, Harry, has been accused of bullying schoolmate Oliver — giving Amy’s dictatorial ex-husband yet another reason to criticise her parenting.

All Amy wants is the chance to spend time with her son. Where better to escape all her troubles than camping at the remote but beautiful Lake District farm where she spent idyllic summers with her mother when she was a little girl?

Her tranquil escape seems doomed when Oliver, and his widowed dad, Matt, turn up on the neighbouring pitch — but at Elder Fell Farm, unlikely friendships can be forged. Are Matt and Amy ready to fall in love again? And will their boys bring them together – or drive them apart?

 

*****

 

To celebrate the release of Summer Showers at Elder Fell Farm, Harry, the heroine’s son, having been asked to write a book review for school, has written about this novel. Over to you, Harry.

 

My Book Review of ‘Summer Showers at Elder Fell Farm’

By Harry Brand, aged 8 and 2 months.

 

I chose this book to write about because Summer Showers at Elder Fell Farm is all about me and my best friend, Oliver and what happened when we went on our summer holidays. Okay, it’s a bit about my mam, Amy, and Ollie’s dad, Matt, because they were there too, but all they did was, like, snogging and stuff which is gross, so mainly I’m going to write about the other things in the book.

My favourite character in the book is Harry, aka me! He does lots of cool stuff in the book, he finds a den and plays in the beck quite a lot with his best friend Oliver, but he isn’t allowed to go skinny dipping, which is the same thing as swimming in the nuddy, which means with NO CLOTHES ON. But Mam wouldn’t let me … I mean, him. The boys also make up an awesome game called ‘bonky, bonky’ and an air bed got burst, but it definitely wasn’t Harry that burst it, honestly.

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A Moment With… Carla Luna

I am very pleased to be welcoming Carla Luna to Novel Kicks. She’s here with the blog tour for her novel, Field Rules.

What happens in the field, stays in the field. Or does it?

After the disastrous way her first archaeological dig ended, graduate student Olivia Sanchez abandoned her dreams of working in the field. Now, thanks to a last-minute teaching opportunity in Cyprus, she’ll get another chance to explore ancient history firsthand. This time, failure isn’t an option.

But digging up the past takes on a whole new meaning when she’s forced to team up with her ex, shovel bum Rick Langston. 

For years, Rick has proven his archaeological skills all over the Mediterranean. But with no graduate degree—and a habit of attracting trouble—his reputation could use a little rehab. All he has to do is play by the rules while he’s in Cyprus and he’ll secure a coveted recommendation for his next job. Until Olivia resurfaces like a cursed relic from the past.

Given that their last fling nearly led to their academic ruin, Olivia and Rick can’t afford to repeat their past mistakes. But as they work together under the scorching Mediterranean sun, the heat between them proves impossible to ignore.

*****

 

To talk about the story behind her novel, Field Rules, it’s over to Carla Luna…

 

Of all the books I’ve written, Field Rules might be the one closest to my heart. That’s because many of the adventures and mishaps experienced by Olivia Sanchez—the protagonist of Field Rules—actually happened to me.

By the time I was in my second year at the University of Victoria (in Canada), I’d already decided I wanted to be an archaeologist. For years, I’d been fascinated with ancient history, particularly the Greeks and the Egyptians. Though I’d already been on one dig, it had been close to home, at a site in Southern California. For my next project, I wanted something outside of my comfort zone. After my parents generously offered to pay for my plane fare, I signed up for a six-week archaeological field school on the island of Cyprus, located in the Eastern Mediterranean.

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A Moment With…Marcela Mariz

I am very pleased to be welcoming Marcela Mariz to Novel Kicks today. Her novel, Let it Rain was released on 1st August. 

*****

Mandy Olsen lives and breathes the Eighties: an era of great music, questionable fashion choices, and endless possibilities. It was also the only time Mandy was truly happy in her life.

Now working at the school she used to attend, Mandy’s fixation with the past is starting to attract attention. Jessy, the office mean girl, whispers that “Mental Mandy” is going off the deep end. Principal Weber prefers to call her confused. And to make matters worse, the mysterious hot new teacher has developed a knack for popping up at the most embarrassing moments possible.

If Mandy wants to keep her job, she knows she needs to face the grief that turned her world upside down. But can you grasp at a second chance if your best years are behind you?

Perfect for fans of Beth O’Leary and Sophie Kinsella, Let it Rain is a bittersweet coming-of-age story about friendship, rebellion, and finding the courage to love and laugh again.

 

Marcela has joined me today to talk about her writing journey, about becoming Comfortable with the Uncomfortable. Over to you, Marcela. 

 

*****

People from Rio de Janeiro are among the quickest getting on and off buses. An interesting fact that I believe exemplifies what it is like growing up in the city. I’m not talking only about overcrowded buses with fiery drivers, who will often leave you behind if you are not fast enough getting on. Or even learning how to be street smart and carry two wallets, in case you were kindly asked to hand in all your money. It’s about getting comfortable with the uncomfortable. About making caipirinhas with the lemons thrown your way — which would often demand you to be creative, and would also directly influence my writing.

Since I was a kid, I carried the thrill of creating stories, sharing horror stories with my friends at sleepovers, or writing short stories for my parents in exchange for some spending money to feed my addiction to comics and sugary candies. Once my teenage years arrived, so did a bunch of insecurities. Writing would become my main passion — under pseudonyms only.

When I was in my senior year of high school, I auditioned as an actress for a well-known play in Rio. Intense rehearsals followed, over six hours every day of the week for four months. However, the night before the premiere, the play’s writer revoked the producer’s right to go forth with it. After so much work put in, I was utterly devastated, as was everyone. There were several young children in the cast, and it broke my heart completely to see them sobbing.

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NK Chats To… Eliza J. Scott

Hi Eliza, thank you for joining me today and for inviting me onto your blog tour for A Cozy Countryside Christmas. Can you tell me about your book and what inspired it? 

Well, without giving too much away, A Cosy Countryside Christmas centres around Ella Welford and Joss Campion. The couple were childhood best friends, until Joss left the village rather abruptly. When he returns, sparks fly but neither of them are keen to do anything about it. When they find themselves thrown together in an unexpected drama high on the snowy moor top… I’m afraid to say anything further would give too much away!

 

How long does it typically take you to write a book and what’s your process like? 

It can take between three to four months per book. As for my writing process, I tend to start by drafting character profiles, jotting down as many details as possible. Then I set out a rough draft of the outline of the story so when I start to actually write it, I have an idea of the journey I’d like my protagonists to take. Having said that, I tend to let them take the lead and see what challenges they face on the way to their happy ending. I’m a mix of plotter and pantser – plotty pantser or pants plotter; I’m not sure which is applicable!

 

Which fictional world would you like to visit and why? 

I loved The Lion the Witch and the Wardrobe books when I was younger (actually, I still do), so I’d love to slip through the back of the wardrobe and visit Narnia. Can I be cheeky and name two? I’d love to have a wander around Enid Blyton’s Enchanted Wood too – and maybe have a quick scramble up the Faraway Tree.

 

Which songs would make up a playlist for your book? 

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A Moment With… Barry Kirwan

I am very pleased to be welcoming Barry Kirwan back to Novel Kicks and the blog tour for his latest novel, When The Children Return. This is the second book in the Children of the Eye series. 

Ten years have passed since the Axleth invaded Earth and a few hundred humans escaped aboard the ship Athena, piloted by the Artificial Intelligence who calls himself Ares. Now, the refugees approach Earth, determined to take back their home. But something has followed them from deep in space, and as war breaks out on Earth, humanity must decide who is the real enemy. 

 

I have reviewed the book below but first, Barry is here to share his writing process with us. Over to you, Barry.

 

My friends, family and colleagues all know I have a full-on day job, so the question they all ask, is when (the hell) I have time to write? I usually joke that I have a clone and a time machine, although I can’t quite recall which came first…

More seriously, I don’t sleep that much. You could call it insomnia, but I have no trouble falling asleep. It’s just that several times a week I wake up really early, like 3 or 4 in the morning. It’s actually a really great time to write, because nobody is emailing you, it’s dead quiet, and my mind is lucid, full of possibilities, whereas later in the day, frankly it’s knackered, and needs to veg out in front of Netflix or something. That early in the morning I’m writing in the kitchen, a cup of tea once an hour. If I have a good idea, I can’t type fast enough, and my tea goes cold…

Often I work in brasseries in the morning (e.g. from 7-9am), as I live just outside Paris, and the coffee is good, and the noise and bustle somehow stimulates my mind in a different way, maybe because I have to focus. I need to have the idea of the chapter, at least how it begins, and what’s at stake, before I can start. I never just start writing, hoping that somehow it will be good. It won’t be, not for me, it’ll be rubbish. So, I have to have the idea, a direction, and then I see where my fingers take me. I also need to have a sense of urgency, because I aim to write very pacey novels, and that is not just down to tricks; I have to feel that way when I’m writing.

I’m mean to my characters. A lot of crap happens to them. If they could meet me I person in the real, I don’t think I’d last long. But I do suffer with them, and can get quite emotional when I’m writing, which can be awkward when sitting in a busy brasserie, shedding a tear into my espresso macchiato. It’s rare I put tears on the page though, rather I leave it understated, and usually the reader gets it, and they feel it too when a character is having a really rough time, or gets killed off.

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NK Chats To… Julie Stock

Hi Julie. It’s a pleasure to welcome you to Novel Kicks today. Thank you for inviting me on your blog tour. Can you tell me about your novel, A Leap of Faith at the Vineyard in Alsace and what inspired it?

A Leap of Faith at the Vineyard in Alsace is the third and final book in my Domaine des Montagnes trilogy set on a vineyard in France. Each book has told the story of two characters and their search for their happy ending. This final book tells the story of Ellie and Henri. She’s afraid of commitment to one person and Henri longs to settle down.

Originally, the series was inspired by my love of all things French, and the fact that I had spent some time working for a mail-order wine merchant earlier in my career. So this seemed like a perfect setting for a romance series. I also wanted to choose a part of France that isn’t so well-known, but whose wines I knew quite a lot about. I then decided to devote each book to one pair of characters and tell a new story each time, while still allowing myself to update readers with what the other characters had been doing.

 

What’s your typical writing day like?

As I’m a full-time author now, I try to be quite disciplined when I’m writing, making sure that I always do my words every day. I write about 10,000 words a week and try to keep my writing work to weekdays only. As an indie author, everything is down to me, of course, so I also make time for reading and some marketing work every day.

 

What are the challenges you found when writing your novel? Was it always going to be part of a series?

The biggest challenge with this latest novel was the timeline because it takes place in the lead up to and beyond Christmas. At first I hardly mentioned Christmas because I didn’t want it to be a Christmas book as such, just for Christmas to feature in it. But after some feedback, I added more in about Christmas and had to get to grips with a calendar to make sure that each month had the right number of days!

It was always going to be a trilogy at least, although I have wondered about extending it to become a series, but I think it might be better to leave my characters as they are and just imagine them on the vineyard from time to time.

 

From idea to finished book, what’s your writing process like and how long does it typically take?

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NK Chats To… Helen Buckley

I am delighted to be welcoming you to Novel Kicks today, Helen. Thank you for inviting me onto your blog tour. Can you tell me about your book, Strictly Christmas Spirit and what inspired it? 

Strictly Christmas Spirit is a heart-warming, festive romance about a bad boy Hollywood superstar sent to do community service at a homeless shelter. Blake immediately clashes with community centre manager Emily, who is a former dancer from TV show Strictly Dancing with Celebs. Blake doesn’t care about the centre, or Christmas for that matter, he just wants to get his community service over and done with. Will the people he meets at the centre, and Emily herself, change his heart? Strictly Christmas Spirit is book three in the Spotlight Series but can be read as a standalone story.

The book was actually inspired a lot by my real life work. I used to run a community centre in London, providing services for the homeless and marginalised in the community. I based a lot of the story on the experiences I had there (although I never had a Hollywood star come to do community service there!)

 

What’s your typical writing day like? 

Almost impossible at the moment as I have two very young children! If I can, I write between 5-6am and 7-8pm. I literally squeeze in time while my kids are asleep and it’s very hard.

 

What are the challenges you found when writing your novel, especially when it’s part of a series? Did you know that it was always going to be a series? 

Strictly Christmas Spirit is the third book in my Spotlight Series. When I wrote the first book, Strictly on Ice, I had no idea it was going to be part of a series. It was only when I met a literary agent that he gave me the tip to write a series, and that’s where it all came!

The main challenge I have when writing is having to research information. I just want to write and let my imagination run wild but sometimes a little research is necessary!

 

What songs would make up a playlist for your book? 

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NK Chats To… Evie Alexander

Hi Evie, thank you so much for joining me today. Can you tell me about your novel, Highland Games and what inspired it? Was it always going to be part of a two book series?

Highland Games is a steamy romantic comedy set in the Highlands of Scotland. It’s about a fiery heroine who moves up from London to live in her great-uncle’s derelict cabin, and the Scottie hottie who wants her out.

I have a real life friend called Zoe who lives in a one room cabin she built herself and this was part of the inspiration for Highland Games. But I wanted to write what might happen if someone moved their life but were totally unprepared for what they found. It was never going to be part of a series. I wrote it as a standalone, however I accidentally wrote two hundred thousand words so it had to be turned into two books; Highland Games and Hollywood Games.

Then I realised I had two more stories to tell that happened in the same location and timeline as Hollywood Games, so I wrote two more books; Kissing Games and Musical Games to complete the Kinloch series.

 

What’s your typical writing day like?

I get up between half five and half six, go downstairs and immediately start writing. I have a break when the rest of the family get up and then I go back to write for a couple more hours before I have breakfast around mid morning. There are always other tasks to do, so I might not get back to my desk to write until later in the day or the evening. If it’s a good day then I probably spend four to six hours writing and try to aim for two thousand words minimum a day.

 

What are the challenges you found when writing your novel?

Not having a clear plan. I pantsed the first draft of Highland Games and so it took two years to sort out into two books. I planned my third book, Kissing Games, and it only took a few weeks to write, and only needed a copy edit and proof when it was done.

 

What songs would make up a playlist for your book?

I’m rubbish at thinking of playlists because I have to have complete silence when I write!!! If anyone has an idea for a playlist for Highland Games then please let me know!

 

Which fictional character would you like to meet and why?

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A Moment With… D.S. Lang

It’s lovely to be welcoming DS Lang to Novel Kicks today and the blog tour for her latest novel, A Lethal Arrogance, which is book 3 in the Arabella Stewart Historical Mystery series.

After returning home from her service as a United States Army Signal Corps operator in the Great War, Arabella Stewart’s goal, to save her family’s resort, seems within reach as the summer season progresses. She and her business partner, Mac MacLendon, look forward to re-establishing a successful championship golf tournament, once the signature event of the resort’s year. Problems arise when one of the contestants, an overbearing snob who has created problems at other competitions, clashes with more than one person. When he is found dead, the victim of a suspicious automobile crash, Bella once again helps Jax Hastings, the town constable and her childhood friend, investigate. As they pursue answers, Bella and Jax find several suspects who might have wanted to make the victim suffer for his lethal arrogance.

 

*****

Today, D.S. Lang tells us about the inspiration and research behind her book series. Over to you, D.S. Lang. 

My Arabella Stewart Historical Mystery series takes place shortly after the Great War (World War I). Bella, the main character, was a United States Army Signal Corps operator in France during the conflict. Originally, I planned for Bella to be a nurse. While doing research, I discovered that American nurses needed to be at least twenty-five years old. Since I wanted her to be younger when she volunteered, I searched for other roles available to young women and found that they were accepted into the Signal Corps.

The U.S. entered the war in April 1917. By the end of the year, General John J. Pershing, commander of the American Expeditionary Force, decided that women were needed to replace male operators, freeing those men for combat duty. About 10,000 ladies applied, and some 200 were chosen. The main requirement was fluency in both English and French. The training, primarily learning to operate complicated switchboards, took place before they sailed for France. The women proved to be highly competent, connecting six calls in the time it took male operators to handle one.

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NK Chats To… Anne Montgomery

Hello Anne, welcome to Novel Kicks. Can you tell me about your novel, The Castle and what inspired it? 

Why write a novel about rape? For me the reason was personal. While attending college, I was sexually assaulted. I became a statistic. Today, one out of every six women in the United States will be the victim of an attempted or completed rape in her lifetime. Like 80% of those victims, I never went to the police. Why? I believed they would have blamed me. I was on a date with a sweet-faced farm boy who played for my university’s football team. I’d had a few drinks. I willingly followed him into his dorm room. What did I expect would happen? So, I said nothing.

Years later, I became a teacher at South Mountain High School in Phoenix, a position I held for 20 years.  It was during this time I came to understand another sad statistic: Four out of five rapes are committed by someone the victim knows. I kept meeting young girls who’d been sexually assaulted, always by a family member or friend. Sadly, many of these teens were ostracized by their loved ones when they came forward, told they were lying, or that the assault was their fault.

This prompted me to investigate the behavior and psychology of rapists, the profile of a victim, and the ways sexual assault survivors can heal. The end result was the story of Maggie, a national park ranger who works at Montezuma Castle in Arizona’s Verde Valley. Maggie is recovering from the gang rape she suffered in the Coast Guard. We follow her through her depression, anger, and ultimate healing.

 

What’s your typical writing day like? 

Until I retired from teaching, I only wrote during school breaks, so most of my books were produced during the summer. Now, I generally get some work done every morning and sometimes in the late afternoon, depending on what else I have going on.

 

What are the challenges you found when writing your novel? 

I find the writing is the easy part. I like to tell stories, perhaps a hangover from my previous life as a reporter. The real challenges come when an author tries to convince others—agents, editors, publishers, reviewers, readers—to like their books.

 

Which fictional character would you like to meet and why? 

I find Clive Cussler’s Dirk Pitt rather appealing. Not only is he pretty hot, but he’s a scuba diver. I am as well. I would love to tag along on some of his underwater adventures.

 

What elements make up a good story? 

The setting is especially important. I consider locale as another character. Most of my stories, for example, take place in Arizona in and around the Sonoran Desert, a magical area filled with rugged, wild terrain and plants and animals that live nowhere else. The land is both magnificently beautiful and horribly treacherous, if one is not careful. Of course, a good story rides on its characters, who must be engaging, interesting, and relatable.

 

Which authors do you admire? 

I don’t have any favorite authors. I read stories that look interesting, whether the author is a well-known for best-sellers or a first-time Indie author.

 

What’s your favourite word and why? 

Favorite word? I don’t know. I like lots of words, but mostly ones that sound funny when you say them, like absorb and nudibranch. (The latter are strange Seussical-like creatures who live in the sea. As I mentioned, I’m a scuba diver.)

 

Any other advice for aspiring writers? 

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NK Chats To: Mick Arnold

A lovely big welcome to Mick Arnold who is here with the blog tour for the second novel in the Broken Wings series. Hi Mick. It’s brilliant to have you back on Novel Kicks. In Wild Blue Yonder, we are back with the girls at the Air Transport Auxiliary. What can we expect from book two? 

Many thanks for having me back Laura. You must be a glutton for punishment!

Well, it’s about six months on from the events in ‘A Wing and a Prayer’ and as usual, fate isn’t being kind to some of the girls.

Exactly when their personal relationships seem to be trotting along nicely, an accusation of theft is laid at their door and though not a taxing mystery, it’s still an unwelcome distraction. There are bombing attacks to withstand from the Luftwaffe, POW husbands and sons to worry about, clothing is still going missing, and one of the girls is still suffering the after effects of being stabbed in books 1, ‘A Wing and a Prayer’. So, an awful lot going on for them to deal with.

 

How has your writing process changed between writing the first and second novel in the series?

Not a lot really. As I didn’t know if I’d be able to get a contract for the first one, I only had the barest of idea about a sequel, so when I was asked for it and after I’d recovered from the minor panic attack, I set to. I’m not a planner, so the process was the same as for the first book. Type away and see what comes to mind. Luckily, something did!

 

How long does it take you to write a book?

So long as I don’t allow myself to get too distracted – damn you YouTube! – I can write a 100K story in about 3 – 4 months. As I tend to edit each chapter as I go along, my first drafts are really somewhere between 2nd and 3rd’s in reality.

 

What was your favourite book when you were a child?

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NK Chats To… Kasi Blake

Hi Kasi, thank you for joining me today. Can you tell me about your novel, The Business Engagement and what inspired it?

I started off writing for Harlequin years ago. Then I moved on to YA Urban Fantasy/Paranormal books. I love writing YA, but it was nice to write about adults for a change. The Business Engagement is Contemporary Romance, a story of two lawyers that can’t stand each other. When the story begins, they are both experiencing huge problems at work. Skylar decides a fake engagement would solve everything. I have always loved Marriage of Convenience stories. That’s what inspired me to do this book.

 

What’s your typical writing day like?

Well, sometimes I get up before dawn to start writing. But when I get up late, I catch up on emails first. I do some marketing and whatever else that needs doing. I usually don’t really start to write until evening, and then I am usually up until midnight working on a book.

 

What are the challenges you found when writing your novel?

It’s always difficult to get to know the characters well enough that you know how they’ll react in any given situation. There are just so many moving parts when it comes to writing and endless challenges.

 

Which fictional character would you like to meet and why?

From this book, it would be Grandma Dot. She’s a pistol. From any of my books, it would be Nick Gallos/Tyler Beck from Bait: Van Helsing Academy because he is a gorgeous rock star with a bigger than life persona. He tours the world killing vampires.

 

From idea to finished book, what’s your writing process like?

After I get the idea, I make a list of possible scenes. I have to check to make sure all the romance elements are there. Then I dive in. When the book is finished, I put it aside for a while and work on something else. After I’ve forgotten how the story goes, I read it as a reader would, but I pay special attention to what’s wrong. I rewrite. Then I send it out to my wonderful beta readers. They let me know all the problems they spy out, and I rewrite again. Eventually, it gets looked at by an editor. The book goes through several rounds of revisions and editing before it’s ready to go.

 

Which authors do you admire?

S.E. Hinton got me started writing back when I was in the 7th grade. Her books inspired me. I also love to read Cassandra Clare, JK Rowling, Stephen King, Sarah Rees Brennan, and Nora Roberts.

 

What’s your favourite word and why?

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NK Chats To… Simon Whaley

It’s my pleasure to help kick off the blog tour for Blooming Murder. Hello Simon, thank you for joining me today. 

Hi Laura. Many thanks for inviting me onto Novel Kicks to discuss my first novel. It’s lovely to be here.

Can you tell me about your novel, Blooming Murder and what inspired it?

Blooming Murder is set in the fictitious market town of Mortiforde, somewhere on the Welsh Borders, and tells the story of two towns fighting it out in the annual Borders in Blossom competition, to become the Borders Most Blossoming Market Town. For the fifteenth successive year, Mortiforde is up against their arch rivals Portley Ridge in this flower competition final.

My main character, Lord Mortiforde, (Aldermaston to friends and family), who is still finding his feet as the new 8th Marquess of Mortiforde, is tasked with helping Mortiforde win this year. Unfortunately for Aldermaston, Portley Ridge is determined to secure their fifteenth successive win, and have a few deadly tricks up their sleeve.

The inspiration came from an old news item I discovered on the BBC News website once, although I won’t say too much, because it might spoil the plot!

But I’m also inspired by my home county of Shropshire. When I moved here from the outskirts of London over 20 years ago, I was struck by the strong sense of community here. There’s a determination in the people who live here. When something needs doing, the community gets up and does it!

 

What’s your typical writing day like?

It doesn’t always happen, but I try to spend most of my mornings working on my bigger writing projects, such as the Marquess of Mortiforde Mystery series. Then, before lunch, I’ll go for a walk. Being hunched up over a keyboard all day isn’t good, and I’m fortunate to live amongst the beautiful scenery of the Welsh Borders.

My walking time is often some of my best creative time because walking is great for thinking. Charles Dickens sometimes walked twenty miles a day when he was writing. (I’m not sure how he found the time to write – I’d be too exhausted to write after walking that far!)

In the afternoons, I work on commissioned article features for magazines like The People’s Friend, BBC Countryfile, and Writing Magazine.

 

What are the challenges you found when writing your novel?

I’m a discovery writer, rather than a detailed planner, so although I have a rough idea of how things will develop, it’s not until I sit down and start writing that I discover where the characters are going to take me. They don’t always take me where I expect them to, so there were times when I found myself getting stuck. And while walking is great for creatively resolving problems, I don’t always resolve my current dilemma on the first walk!

 

What songs would make up a playlist for your book?

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A Moment With… Angela Jackson

Best-selling author Angela Jackson, who has just launched her new book, The Darlings, reveals her top five tips on writing:

 

  1. YOU DEFINITELY DON’T NEED TO WRITE WHAT YOU KNOW

You have an imagination, so use it! My second novel, The Darlings, is written mainly from the point of view of a thirty-something male comedian. I’m not in my thirties, I’m not a man, and I’d be stretching it to claim to be a comedian, but I did my research. One of our jobs as writers is to head down research rabbit holes to find out why people have affairs, sail around the world, change their religion, leave their partners, change careers, kill people. If you find yourself losing track of time as you research your subject area, it’s a good sign you’ll enjoy writing about the subject. If I’d have stuck to writing solely what I know about, I’d have submitted 70,000 words on the merits of a good cup of tea.

 

  1. BE YOURSELF

I once spent a whole academic year silencing my voice. After a buoyant start to an MSc in Creative Writing, once I was ‘put in my place’ by a particular tutor a couple of times, I sat in classes cowed and uncharacteristically silent. Even though I won a prestigious writing award during the same year, I didn’t trust myself to write another good sentence. I started to believe the ridiculous idea that commercial fiction, which is what I write, wasn’t good enough. If you find yourself thinking along these lines: STOP! You don’t need to be a ‘heavyweight’. You don’t need to produce a classic. I look at material I wrote during that wretched year, and it feels utterly forced and lifeless. That’s because I was trying to be someone else. I was trying to be a ‘serious’ writer. It didn’t work. You don’t need to write what you know, but you DO need to allow your own writing voice to emerge.

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NK Chats To… David Russell

Can you tell me about your novella, High Wired On and what inspired it?

I was inspired to write my dystopian novella High Wired On by a state of extreme despair and negativity. I was inspired to try romance by some powerful efforts on the part of a friend of mine.

 

What’s your typical writing day like?

For many years I did not have a typical writing day. There were brief snatches of evening time, after a multiplicity of daytime work. That changed with the onset of Covid: with this I generally get up at 6 am and have a solid stretch until about 9.30 am. There are parallel slots in the afternoon and evening.

 

How long does it typically take you to write a book? 

Anything from weeks to years.

 

What are the challenges you found when writing?

To convey suspense and tension while trying to maintain stylistic accuracy.

 

Which fictional character would you like to meet and why?

I’d like to meet Selene, the Greek Moon Goddess – the supreme Dream Girl.

 

What elements make up a good story? 

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NK Chats To… Michelle Angelle

Hi Michelle and Angelle. Thank you so much for joining me today.

Thank you for having us. We are fans.

 

Can you tell me a bit about your book, Wrong Guy, Right Room and what inspired the story? 

Twenty years ago, we started a book club and fell in love with the romance novels our group read. Inspired, and wanting to work together, we immediately started dreaming up characters.

Unlike traditional rom-coms on the market, we wanted side characters that had agency and strong voices. Together, we imagined scenarios involving two lost loves forced together in impossible situations. We all have a “WHAT IF” person from our past and it was fun to fantasize about a reunion.

Once we started writing this book, the characters presented themselves. Wrong Guy, Right Room is a stand-alone contemporary romantic comedy about second chances and reconnecting with your soulmate.

 

What’s your typical writing day like and do you have any pre writing rituals like needing coffee and silence?

First, we begin with an ancient chant, and then do an incense ritual to clear our space. Totally JOKING! Between juggling kids, husbands, and part-time jobs, the writing time happens when it can. Luckily, we have one another on speed dial and chat often about crazy ideas. There is rarely a hello, just diving into work the moment we answer the phone. Since we write together, we share docs and emails constantly. While there is no specific ritual, there might be a little mind reading.

 

What are the challenges of co-writing a novel and what’s the most valuable thing you’ve learnt about the process since starting?

Honestly, the biggest challenge is the writing software. Our first novel was eaten by Google Docs. Trust us, it was an AMAZING book. Otherwise, we both feel super lucky to have a balanced and creative partnership. We have different skills sets and they match up perfectly.

 

What songs would be on a playlist for this novel? 

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NK Chats To… Kate Ryder

Hi Kate, thank you so much for joining me today. Can you tell me about your book, Beneath Cornish Skies and what inspired it? 

Hello, Laura, and thank you for inviting me to be on your blog.

Cornwall has always inspired me.  As a teenager, I holidayed on the North Cornish coast in a thatched cottage with impressive, uninterrupted views over a wooded valley down to the cliffs and the sea beyond. It made a huge impression and it’s this cottage that features in my fourth novel with Aria.

I like to write books that have a message; hopefully, readers will think Beneath Cornish Skies delivers.  It’s not simply a contemporary romance, but also a story about a young woman’s journey in finding herself, with a little help from friends, nature, ancient magic and spirits in the landscape.

 

What’s your typical writing day like?

I like to be at my desk by 9am, working through to lunch when I meet up with my husband (who also has a home office).  In the afternoon I catch up on any writerly loose ends, social media posts, etc., or if I have a WIP I concentrate on that.  Our kitten-cat regularly visits and, having been turfed off the keyboard on numerous occasions, she settles on the printer and watches out for any pieces of paper to attack!

 

How do you approach the process from first draft to final edit and how has this changed since writing your first novel?

I’d like to be a plotter, but as my characters develop I’m often put in the pantser camp!  I think I may be a plantser – a little of both.

Hopefully, the first draft is an unhindered stream of imagination.  I’ve worked as a proof-reader, copy-editor and writer, so, at the final edit I put on my objective ‘editorial’ hat and heavily prune, removing any superfluous words and anything that hinders the story’s momentum.

Since writing my first novel there have been no major changes to the process, apart from having a keener idea about deadlines and pacing myself.  I don’t panic so much and approach each ‘challenge’ a word at a time.

 

What, in your opinion, is the most common mistake made by aspiring authors?

Many people believe writing a novel is easy.  You put pen to paper, or fingers to keyboard, and a publisher will soon snap you up and success will follow… but that couldn’t be further from the truth!  To write, you have to master self-discipline, even when the words refuse to flow.  It’s a hard way to make a living, but if you’re drawn to writing you cannot deny it.  At the start of my writing journey, a more experienced author gave me this advice: ‘Have patience.  Each novel is your apprenticeship.’

 

Do you feel character or plot is more important? Why?

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NK Chats To… Owen Knight

Hello Owen, thank you for joining me today. Your book is called Another Life. Can you tell me about it and what inspired the story? 

I had an idea for a character who, despite trying to do the best for everyone he encounters, feels his life to be one of disappointment and failure. Eventually, we discover that his decisions and actions have had a profound, beneficial effect on the lives of others. You could say it’s a modern-day interpretation of the film ‘It’s A Wonderful Life’.

I am also intrigued by quests and the twilight world of things that may or may not be. I am a great admirer of David Lynch and his ability to suggest that things are not as they seem was influential.

As for the story, it’s set in a secretive, hidden corner of Middle England, combining folklore, legends and ancient beliefs with the contemporary issue of what it means to be human in an increasingly technological world.

Thirty years ago, Oliver Merryweather is intrigued by a woman who waves to him from the window of a house in a village he discovers by accident.

In the present day, Oliver believes his life to be a series of failures and regrets. When the same woman appears to him in a dream, Oliver embarks on an obsessive quest to find her. With the village inexplicably absent from all maps, all he has to go on is the unusual mark on her wrist.

Journeying back into his past, Oliver finds himself inextricably drawn into a decades-old mystery involving missing children, pagan beliefs and the Green Man of folklore, while coming face to face with the disappointments and tragedies of his own life. As the story draws towards its unexpected and uplifting conclusion, the line between reality, dreams and memory begins to blur and Oliver gains an insight into the true purpose of his existence.

 

 

What were the challenges you faced whilst writing Another Life? 

The bringing together of disparate ideas presented several difficulties. The biggest challenge was how to link my protagonist’s ordinary family life to the idea of the myths and legends associated with the Green Man.

The border between dreams and reality is a key theme in Another Life. This needed care, to avoid confusing the reader. There is the suggestion that something on the edge of the supernatural may be involved. It was essential to keep this as no more than a possibility in the mind of the reader. I’m not interested in writing pure fantasy – there has to be a grounding in reality, the possibility that the weirdest of events has a rational explanation. This was also important in creating a hidden community in Middle England, where the normal rules do not apply. I addressed this using a combination of geography and historical fact.

Finally, there was the challenge of the resolution: how to explain the mysteries and strange events encountered by the protagonist. Two-thirds of the way through the book the reader encounters a major change that makes sense of what comes before.

In summary, Another Life combines elements of family life, myths and legends, a quest and cutting-edge science. These elements are introduced in a natural, uncomplicated way, avoiding technical explanations, so as not to alienate the reader.

 

 

What’s your typical writing day like? Do you need things like coffee? Do you prefer to write in silence?

I’m an early morning person, whether it be writing and related activities, walking, running, photography. Writing comes first; it’s a passion that can never fully be satisfied.

A typical pattern is revision of the previous day’s work, followed by new words, including necessary research and then more research, finishing with a review of the current day’s progress.

I have to work in silence, other than birdsong. Music is too distracting. Any breaks have to be at a time of my choosing, usually ten minutes out of every hour. The exception is when I’m engaged in a long passage that’s going well. You have to take advantage of those occasions.

 

 

What’s your favourite word and why? 

Apricot. I like the falling rhythm of the three syllables with a pause between the first and second. It’s like a musical phrase, sensuous, as is the shape and texture of the fruit.

 

 

How do you approach a writing project from idea to final draft and how long does it typically take you to get from the beginning of the process to the end? 

A new book begins with a lot of thinking. A primordial soup of apparently unrelated ideas seeking to connect with the ideal partner. I write a few experimental passages, in isolation, to test whether they work, or at least have promise. Even at this early stage, I’m keen to ensure I can write engaging prose and believe in the idea. Much research follows until I’m happy that there is a story, a voyage embracing change. It is good to have an early idea for one or more endings. Much more important to let the characters lead you on a journey.

A new book takes me between nine and twelve months, including long periods of revision, particularly in the latter stages.

 

 

Which fictional world would you like to escape to for a while and why? 

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NK Chats To… Mari Jane Law

Hi Mari Jane, thank you for joining me today. Can you tell me about your novel, Love and Pollination and what inspired the story? 

Hi Laura, thank you for inviting me to Novel Kicks and giving me this opportunity to talk about my book.

Love & Pollination is about an extremely naïve young woman called Perdita whose Catholic education and convent upbringing did not prepare her for having an intimate relationship. Being so innocent, she makes mistakes – and she ends up pregnant. Then she loses her job – and her home. But she’s optimistic and makes the best of things despite the intrusion of Saul Hadley into her life. She thinks that she can get the better of him – and readers will have to see if she succeeds!

The story was inspired by the fact that faith schools in the UK are not required to have Sex and Relationship Education (the government has now changed it to Relationship and Sex Education as they probably realised the revised word order was more appropriate for young people). So students in religious schools can end up being pretty ignorant about the birds and the bees – and how to spot a no-good womaniser.

I thought it would be fun to have a character who was brought up by nuns in an orphanage attached to a convent – and who had a Catholic convent education – to explain her innocence. And the plot set-up relies on her naïveté as do many of the jokes. That aside, she is still a unique character as you will see if you read the book – she has an interesting approach to problem-solving.

 

 

How long did it take you to write Love and Pollination and what’s your process like from idea to final draft? 

I began the idea of the book about thirty years ago – I tried for Mills & Boon and had no luck. I worked on other things and, on and off, came back to this novel. But it wasn’t until about eight years ago that I decided to completely re-write it and change the tone of my writing. Then something seemed to click – and I started to make people laugh at the writers’ group I’d recently joined. I decided the plot worked far better as a comedy.

I bought some books on writing comedy, and I watch a lot of comedy on TV. But I didn’t labour on the book continuously over the eight years – I had other comedy romance ideas and began work on those. It took a great deal of slog to get Love & Pollination to the stage where it was finally published and I’m incredibly grateful to DuBois Publishing for giving me the opportunity to present my book to the world. I am hoping that I will be quicker getting my next book out. I just have to find a publisher…

 

 

You were a member of the Romantic Novelists’ New Writers’ Scheme. How did that help you write your novel? Is this something you’d recommend to new writers? 

I belong to a writers’ group – we read out a piece of our work for ten minutes and get feedback for another ten minutes or so. This is very valuable but people giving feedback in a writers’ group can only see snippets of the novel at a time. The great thing about the New Writers’ Scheme is that the entire novel gets read by one person and they give a comprehensive critique. This gives feedback on plot and character development and can identify problems that a writers’ group can’t.

I recommend the NWS unreservedly. I think it’s fantastic. The membership fee is small compared to what it would cost to have someone from, for example, a critique company read the book – it makes getting personalised help much more affordable.

 

 

What’s your typical writing day like? 

I don’t have a typical day – my writing is erratic. Sometimes I go through a fertile period and make a great deal of progress and then I can go for weeks with not being able to work on my manuscript at all for one reason or another.

 

 

What elements do you feel make a good story? 

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NK Chats To… M W Arnold

Hello Mick. I am so very pleased and proud to be welcoming you to Novel Kicks. What’s the experience been like so far compared to your first novel, ‘The Season for Love’?

Hi Laura, it’s wonderful to be back celebrating my second novel, I’m delighted to be here. It’s never easy to obtain a contract for a book, and for some reason, in my opinion, if it’s not already in place, obtaining that second one is always the most nerve-shredding. When the email offer came through for this one, it was like a weight lifting from my mind.

 

Can you tell me a little about your first historical saga, ‘A Wing and a Prayer’ and what inspired the story?

Because of ill health, I hadn’t been writing, I’d wanted to but it hadn’t been working. My author friends had all been encouraging me to try, so when a friend suggested I try something new rather than to pick up an unfinished project, it was like a serendipitous moment. I was watching a program on tv called, Spitfire Women, about the lady pilots of the Air Transport Auxiliary in WW2. Before I was even aware I was doing it, I found myself scrolling around the internet and the beginning of a story idea reared its head. For this prod up the proverbial, I have two excellent authors and good friends to thank; best-selling romance author Sue Moorcroft and historical saga author par excellence, Elaine Everest. Also, after finding out so much about the brave women and men of the ATA, I wanted to write a kind of tribute to them. I hope I’ve done so.

 

What are the challenges of setting your novel in WWII?

Getting your facts right. Well, that’s only partially true, as in this day and age of the internet, you really shouldn’t be getting anything wrong, though it does happen. The other part, at least so far as I’m concerned, is making sure your characters behave and talk as they did back then. Compared to my romance, which was set in contemporary times, this was initially much harder to write until I got into the swing of it and now, it’s quite natural. Now I’m well into writing the third book in the series, writing as if my mind is back in the 1940’s seems natural. My main issue is, and will probably remain, writing in US English, as my publisher is based in the USA and prefers this. It still looks strange to me.

 

What’s your writing process like from first idea to final draft? Are there any challenges when writing a book series?

A lot of my ideas, when I first tried my hand at writing, came from listening to Radio. I’d hear a song and that would spark an idea. I still have a folder with about 20 idea for stories, some are brief outlines, a few lines, some are up to 6 or 7 pages, quite full of detail, a few even with a start, a middle and an end. I’d like think I can get back to some of those at some point. For this saga series, once the idea came, I was able to start writing pretty fast. I like to begin a story as soon as the idea hits me and as I’m more of a panster than a planster, I can get the first draft down pretty quickly, even taking into account that my first drafts are more akin to between a second and third draft, as I edit as I go along; each chapter has to read right before I can move on to the next one. I also keep each chapter as its own file, as I find it much easier to go to what I need to if, well, I need to.

So far as writing a series is concerned, this is my first series as ‘The Season for Love’ was a standalone romance, I’m kind of learning my own way as I go along. I’m sure everyone who writes a series has their own ways, so there may be an easier way than the one I’m using, but so far, it works for me. I like to, if it’s possible, to leave each chapter on a cliffhanger. That’s not possible with a series of books, so far as the end of the book is concerned. I’d like to, but each book has to be able to be read as a standalone too, so that’s out of the question. What I have to do is give the reader an enjoyable reading experience, whilst making them want to find out what the characters get up to next. It’s a nice feeling to know that I’ll be coming back to these characters again too.

 

You are a member of the Romantic Novelists’ Association  Do you feel that the RNA New Writers’ Scheme is worth joining if you’re wanting to start writing a novel?

My route to publication was through this esteemed scheme so, yes, very much so. I know so many authors who became published by joining the NWS scheme of the Romantic Novelists Association. It’s one of the hardest things to accomplish, having a book published and the support which this scheme provides is invaluable. I would recommend it to anyone who wishes to become an author.

 

What’s your favourite word and why?

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NK Chats To… Emily Carpenter

Hi Emily, thank you so much for joining me today. What’s your typical writing day like and do you have any pre-writing rituals, for example, needing coffee? Silence?

Thanks for having me! It’s funny, I don’t seem to have a typical writing day, which is something I actually enjoy. I will say, I’m not an early morning writer. Not a morning person in the least. I like to wake up, drink coffee and eat, get my son off to school and then exercise. Then I’m ready to sit down at the computer. I don’t really have rituals, but I do like to have the TV running in the background – a show or movie that I’ve seen before or don’t have to pay attention to. For some reason my brain likes multi-tasking in that way. Recently, I’ve been re-watching Peaky Blinders and it’s nice to, every once in a while, look up and go, “Oh, hello, Cillian Murphy, how’s the crime going?” I do firmly believe in hitting a minimum word count every day while I’m drafting a new novel. But if I don’t get my words, or I go weeks without writing, it’s fine. I kind of trust my creativity to lead the way and ask for what it needs.

 

Can you tell me about your novel, Reviving the Hawthorn Sisters and what inspired the story?

I had just finished my fourth book UNTIL THE DAY I DIE, which was an adventure-thriller, and I was feeling the need to get back to my Southern gothic, family focused work. I decided to write a sequel or follow up to my first book “Burying the Honeysuckle Girls” because there was still so much I wanted to explore with those characters. I toyed with some ideas, but it was when an author friend of mine said to me that this story was really about Dove Jarrod from “Honeysuckle Girls”, that it all came together.

The story is about Eve Candler (Dove’s granddaughter) who is in charge of administering her grandmother’s family foundation when she discovers that Dove may have been a con woman, thief and possibly a murderer. She has three days in Alabama to clear her grandmother’s name and protect her family’s legacy.

 

What elements do you feel make a good story?

Something unusual, that I haven’t seen before. I want a main character who’s dealt with very specific troubles from her past and who’s up against a really unique and specific problem in the present. You need the suspense and ticking clock and a vivid setting, yes, but unless your character and their problem isn’t specific, I find myself bored. I think it’s so fascinating how, the more unique those elements are, the more universal the story ends up being.

 

What were the biggest challenges you faced whilst writing Reviving the Hawthorn Sisters?

It was challenging to make the character of Eve, who’s living a quite unusual life, feel realistic and relatable. Eve’s a young woman but her job is maintaining her grandmother’s legacy as a beloved, famous tent evangelist / tent healer / miracle worker from the 1930s and 40s. Eve isn’t personally religious, doesn’t even believe that her grandmother actually ever worked a miracle, but she’s surrounded with people, like her mother, and all these donors who are true believers—and also it’s her job to raise money for the foundation. She doesn’t want to be disrespectful, but she’s dying to escape. She wants to fly – go to graduate school, have a romance, be a normal twenty-something. But she’s got to be this cheerleader for the memory of an old-time religious preacher.

 

Which authors do you admire and why?

Oh. So many writers today are just brilliant and creative and then, on the business side, just impress me daily with their marketing savvy. I think Ruth Ware tells epic stories. Riley Sager has his finger on the pulse of what people want to read. Shannon Kirk writes these vivid, incredibly poetic horror books that have created a fictional network of uber-rich American families whose descendants get away with murder.

 

How do you approach the writing process, from idea to final draft and how long does it typically take you to write and edit a book?

Different books have different journeys. Some books take a lot of thought before I write. Some I’ll start writing the minute I have the idea. I am a bit superstitious about not talking about a book until it’s written. It’s taken me anywhere from a year to six months to one month to write different books.

 

Which fictional world would you like to visit and why?

Well, I say I’d like to visit 18th century Scotland like in Outlander but only if Jamie is there and also, honestly, I’d probably end up complaining about the lack of hot running water and electricity and constant danger.

 

What’s your favourite word and why?

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NK Chats To… Nia Lucas

Hi Nia, thank you so much for joining me for a chat today. It’s great to welcome you back to Novel Kicks with the blog tour for your new novel. Can you tell me a little about Choices, Shape, Losses Break and what inspired the book? 

‘Choices Shape, Losses Break’ is a real shift in tone from my first novel ‘Love Punked’. I’ve described it as My So Called Life meets Top Boy meets Skins! It’s a Contemporary Fiction/Contemporary romance hybrid and it’s interwoven with some challenging themes and issues which aim to get the reader continually re-evaluating their assumptions about risk and threat.

It’s set firmly in the 90’s where, shunned and struggling at home and school, teenager Lorna Davies clatters into chaotic and charismatic Shay O’Driscoll and Leon Barrett at an illegal rave. As Lorna’s talent for dancing sees her unexpectedly employed in the strobe-lit heart of 90’s club culture, her world is turned on its head by her budding friendship with Shay and Leon. For the boys, their high-risk lives endanger all three of them in an association that blurs the lines between friendship and dependency.

As the risks escalate, Lorna’s best friend Hannah, her brother Dan, her bully-turned-protector Nico and her unexpected friend Rosa watch with concern as she is thrust ever closer to harm in an intoxicating new landscape. When life-threatening events threaten to separate them permanently, Lorna, Leon and Shay juggle love, loyalty, sacrifice and exploitation as their lives change beyond recognition. Will the losses they face break them all?

‘Choices’ was inspired by some of my own experiences of rave culture in the 90’s and the people and places that I knew back then. I actually sat down to write it back in 2016 when I realised that two people who were really important to me back in those days, would have turned 40 that year. Their impact on my life has been pretty significant but we lost touch. I guess in some ways, ‘Choices’ started off as a bit of a tribute to them but in typical ‘pantser’ style, it turned into something very much unexpected. ‘Choices;’ is written to be a standalone novel but there are 3 further books in the series. The next one is due for release later this year.

 

Which songs would feature on a playlist for this novel? 

Music is a massive part of ‘Choices Shape, Losses Break’. 90’s club culture was- and remains- an important part of my life. My friendships and experiences of that world were huge inspirations for the characters and events in the novel. This playlist could go on indefinitely and so I’ll pick my top 10:

Paul Van Dyk- For an Angel
Prodigy- No Good, Start the dance
DJ Taucher- Ayla
Dodgy- If you’re thinking of me
DJ Flavours- Your Caress
Dub Pistols- Cyclone
Faithless- Salva Mea
Marc and Claude- I need your loving
BT- Remember

 

What’s your writing process like and how has it changed from when you first started writing? 

I work full time in an incredibly busy inner-London social work team. Writing is truly my escape from the madness and demands of my work life! I have terrible insomnia and only need 4/5 hours sleep a night so my writing process is that I write while everyone else sleeps- I love the coziness of sitting in the gloom tapping away and creating characters and places.

I’m absolutely a pantser, I never plan anything when it comes to my novels. I’ve written 4 books and both ‘Love Punked’ and ‘Choices Shape, Losses Break’ are available right now on Kindle and Kindle Unlimited, rated 5 stars, I have another two finished novels that are due for release later this year. I’m finishing one that’s nearly complete and I’m working on 3 other ‘new’ ones that are only 20 or so pages long each so far. I do like flitting between them all and I genuinely work out the plot as I go.

I guess one thing that’s changed is that I am far more conscious of streamlining my writing as I go- I had a real journey to edit down ‘Choices Shape, Losses Break’ and I’ve learnt lots of lessons from that heartbreaking process! I definitely challenge myself as I go now (“Does this actually progress the plot?”  “Is this scene truly necessary?” “Is this character essential?”) . I’m definitely more succinct in my style!

 

What’s a typical writing day like for you? Do you prefer silence? Coffee? 

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Book Extract: Summer at my Sister’s by Emily Harvale

Happy publication day to Emily Harvale as she releases her latest novel, Summer at my Sister’s. 

 

Twin sisters. One scorching summer.

A bucketful of secrets.

Diana’s life is perfect. Her twin sister, Josie’s – not so much. 

Diana has a rich and successful husband, two talented youngsters and an adorable dog. She always looks as if she’s stepped from the cover of a magazine. Her immaculate second home by the sea, for idyllic summers with her perfect family, was actually featured in one.
 
Josie has a messy, compact flat, dates, but not relationships, and she can’t even keep a houseplant alive. She moves from job to job, goes clubbing with her friends and often looks as if she’s fallen through a hedge.

Although Josie loves Diana deeply, each year she declines the invitation to spend the summer with her sister. Or any other family holiday. Because Josie has a secret.
 
But is Diana’s life so perfect? Or is she also hiding something? When secrets are revealed this summer, everything will change. Josie could finally have the life she’s always wanted … if she’s brave enough to take a chance.

 

 

To celebrate the release of her new book, Emily has some exciting news to share but first, here is an extract from Summer at my Sister’s. Enjoy. 

 

*****beginning of extract*****

 

Thank you so much for allowing me to share a little extract from my new book, Summer at my Sister’s.

This is where Josie Parnell arrives at her twin sister, Diana’s house. Liam Fulbright, who Josie has bumped into after last seeing him on his wedding day when he was nineteen, has helped her with her cases and Diana has just opened the front door of Sea View Cottage.

 

I wasn’t sure who was the most pleased to see me: Diana, Becca, or Henry the crazy, mixed up dog. I say ‘mixed up’ because Henry isn’t just a cross-breed. I think there must be at least four different breeds in his make-up. He’s brown and white and tan and there’s a big autumn-red shape over one of his eyes. He’s got the face and wiry brows of an Irish Wolfhound, the long fur coat of a Briard, the legs of a Great Dane and the tail of a Golden Retriever. That tail can clear a coffee table in seconds. Judging by the size of him I think there may also be a little bit of horse. He comes up to my waist when he’s got all four paws on the ground. When he’s got two of them on my shoulders, almost knocking me over, he’s about seven feet tall. You’d have thought I would have known that this is how he would greet me. He’s done it every time I’ve seen him, although thankfully, Diana doesn’t always bring him with her when we meet up.

Diana and Becca attempted to pull him off as he started to eat me. They said he was just being friendly and trying to lick my face but I wasn’t completely convinced. I tried to push him off me with both hands and he wasn’t budging an inch.

I shot a look at Liam, who seemed to find it rather amusing.

‘A little help … would … be nice,’ I said between mouthfuls of fur and trying to avoid dog drool.

‘Henry. Down boy.’ My nephew Toby wandered into the hall and with three little words, did what Diana, Becca and I couldn’t, using all our strength.

Henry launched himself off me and trotted over to his master without a backward glance while the force of his retreating paws shoved me backwards, sending me tumbling ungainly towards the floor. Luckily, Liam caught me in his arms before I landed on my arse.

‘Thanks,’ I said, scowling up at him. ‘You were no help at all.’

He was laughing but as he stood me upright, one hand cupped my right breast. I’m not sure who was more surprised but he quickly rectified the situation almost dropping me flat on my back in the process. Somehow he managed to save me – again, and this time was extra careful as he helped me straighten up.

The strange thing was, the feel of his hand on my breast sent all sorts of odd sensations darting through me and I was a bit embarrassed. But whenever I feel like that I overcompensate.

‘Blimey, Liam,’ I said, shaking my head and tutting. ‘I’ve only been back in Seahorse Harbour for an hour or two and you’re already trying it on.’

I swear I could see red beneath that tan. Was the man actually blushing?

‘I … er … sorry. It was an accident. I wouldn’t dream of … er.’

‘I was teasing you, Liam.’ I grinned at him and after giving me another very odd look, he grinned back.

 

***** end of extract*****

 

 

****An exciting update from Emily Harvale****

I apologise if you haven’t seen me on social media very much recently but I’ve been exceptionally busy working on lots of exciting stuff (technical term) 😂🤩 for my new book, my website … and a map for my new series of standalone stories set in the tiny village of Seahorse Harbour.
The map will ‘go live’ on July 31st, publication day for the first in the series, which is … yep, you guessed it, Summer at my sister’s. Let me explain a bit more.

Summer at my sister’s was originally a standalone, but then I had an idea for a Christmas book, so it became a two-book series, with Book 2 featuring a couple of new characters and most of the characters from Summer at my sister’s (with me so far?) ……

Then …. I had an idea for another completely separate story set in the same village (which I’m writing at the mo.) This one has new characters.

So now, each story in this series will be a standalone with new characters … but as each book is set in Seahorse Harbour, you’ll be able to ‘see’ what’s going on with the characters from the previous books, because you can’t help but bump into people in a tiny village, can you?

I have to say, I LOVE THIS SERIES!!!!😍🤩💖🥰 I’ve got so many story ideas, although I’ve only written 2 of the books so far, Summer at my sister’s and the Christmas book, which is called …..

Wait for it……(no, that’s not the title)

Christmas at Aunt Elsie’s

This Christmas book will be available for pre-order from early August. 💖🤩🥰😍

Did I mention that I love this series? And yes – I’m just a little bit over-excited. I can’t wait to share these fabulously feel-good stories with you. I hope you’re a little bit excited too. 🤩💖 xxx

 

About Emily Harvale… 

Emily writes novels, novellas and short stories about friendship, family and falling in love. She loves a happy ending but knows that life doesn’t always go to plan. Her stories are sure to bring a smile to your face and a warmth to your heart.

Emily loves to connect with her readers and has a readers’ group in which many have become good friends. To catch up with Emily, find out about the group, or connect with her on social media, go to her website at www.emilyharvale.com.

Having lived and worked in London for several years, Emily returned to her home town of Hastings where she now writes full-time. She’s a member of the SoA, an Amazon bestseller and a Kindle All Star. When not writing, she can be found enjoying the stunning East Sussex coast and countryside, or in a wine bar with friends, discussing life, love and the latest TV shows. Chocolate cake is often eaten. She dislikes housework almost as much as she dislikes anchovies – and will do anything to avoid both. Emily has two mischievous rescue cats that like to sprawl across her keyboard, regardless of whether Emily is typing on it, or not.

Say hi on Facebook, Twitter and Instagram

Summer at my Sister’s was released by Crescent Gate Publishing on 31st July 2020. Click to view on Amazon UK

 

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A Moment With… Dave Flint

I am pleased to be taking part in the blog tour for Hidden Intentions, the latest novel from Dave Flint. 

Toby could… and Toby would.

‘Enjoy yourself as you rot, old man. And you’re not my dad – you never were.’ Southern England, September 1957

When thirteen-year-old Toby Mitcher’s mum collapses, never to wake up, Toby’s alcoholic stepfather becomes his legal guardian. He thought life couldn’t get much worse, but was he wrong.

Time passes, and an orderly direction comes into his life. That is until problems start and the disappearances begin.

No more being put upon or allowing bad situations to happen.

From now on, Toby is in control. Or is he?

 

To celebrate the release of his novel, Dave has joined me today to talk about his favourite things about being an author. Over to you, Dave. 

 

Up until eight years ago, I never imagined being an author. To me, the most significant challenge and excitement came when I sat in front of my computer with an idea. It could be a drabble of 100 words, a short story for a competition or something else. As to the completed novel, straight away, I can say, seeing my book out there and knowing I wrote it has to be a Wow factor! When I first entered into the writing world at my local writers’ group, I was surprised how individuals, authors and people who enjoyed turning up relished advising others, encouraging them to go for what they wanted to write about. Within six months of joining that group and never before having done anything like it. I knew I wanted to write a book. My second novel is underway, and I have more stories that require attention that I have shelved.

Favourite things about being an author are still unknown to me at this stage, other than what I have said. But the feeling I got when I won a short story prize was at my first attempt was amazing. At the award ceremony, listening to those people clapping for me was something I have never experienced before. Members of my writing group and others who were authors I had never seen before congratulated me that evening. Having your photo taken, and giving a speech was brilliant if not unreal for me. I still have the large cheque presented to me under my bed from that time, something I will keep knowing I can accomplish a written work.

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NK Chats To… Don Waitt

Hi Don, thank you for joining me for a chat today. Can you tell me a little about your book, The Revelation of Chester Fortunberry and what inspired the book?

You come into this world alone and you leave this world alone, which got me thinking about whether that world even existed before I came into it and will it exist after I leave it.

 

What’s your typical writing day like? Do you prefer silence? Lots of coffee?

I like to write in the afternoon. I prefer total silence, no distractions. I write on a desktop computer with a huge screen. Can’t do it on a laptop.

 

How do you approach the writing process, from idea, to planning, to final draft? How much prep do you feel you need to do before you feel ready to start writing?

For me, it all starts with the first paragraph of the book. Once I get that down on paper, then it’s off to the races. As all authors know, I don’t write the book; the book writes itself and goes in whatever direction it wants to. Kind of like a runaway train.

 

What is your favourite word and why?

Really. It’s a noun and a verb and an adjective and even an exclamation point.

 

What songs would feature on a playlist for your novel?

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NK Chats To… Murray Bailey

Hello Murray, thank you so much for joining me today. What was the inspiration for Singapore Killer?

The whole series was inspired by my father who was a military policeman in Singapore during the 1950s.

 

What prompted you to start writing the Singapore Series?

I read a Lee Child novel and thought: I can do that. I have a character and an exotic setting – plus the seeds for a plot. However I subsequently found it harder than I expected.

 

How much research did you do before starting?

I took my dad to Singapore for his 75th birthday. He thought it was a holiday but I never stopped asking questions. I’ve been again since. I’ve and also been to Kuala Lumpur and Penang, both of which feature in the series.

 

So no further research as you work?

Lots of research! I have a number of good reference books for the period including a fabulous one full of photographs. Of course I use the internet, but I also have a few readers who can also be called upon to help.

 

Singapore Killer is book 5. Can it be read as a stand-alone?

I hope so. It’ll help to read them in order, but it really shouldn’t matter.

 

Will there be a sixth book?

Yes, it’s called Singapore Fire, and it will be the last of the series. However Ash Carter may well appear in Hong Kong if he does resurface.

 

Map of the Dead which had flashbacks to ancient Egypt, was an Amazon best seller. Your dad didn’t inspire that one?

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NK Chats To… Derwin Hope

Thank you so much for joining me today, Derwin. Can you tell me a little about your book, Charles Dickens: My Life?

It is the life story of Charles Dickens using his own words to tell his story. On a number of occasions Dickens expressed the wish to write his own life story, but he died prematurely in 1870 at the age of 58 without doing it.

Now 150 years later and for the first time I have collected up all the various pieces of that jigsaw of things that he said about his life and put them into the narrative. It produces the nearest thing to an autobiography that is now possible.

Details of me, what I have done, and the written comments of people who have read my proofs can be seen on my official website at www.dickensmylife.com.

 

What challenges did you face when writing this novel?

The overwhelming challenge of hunting out things he actually said and did, as distinct from what other people have said about him in the last 150 years.

 

How did you approach the writing process for this novel?

I began my research about 25 years ago, became more focussed about collecting up the relevant pieces after I became a Judge in Portsmouth (his birthplace) in 2004 and visited the bedroom of his birth, and once I had retired in 2014 spent nearly 4 years putting all the pieces I had found together into a continuous narrative.

 

What do you think Charles Dickens would feel about the current state of the world?

I suspect he would be highly critical about it, as he was in his own day. He never trusted most politicians, having seen them at work in Parliament in his early career as a Parliamentary reporter. He later referred to Parliament as “The Dustheap of Westminster”. He was equally damming on the politicians he saw in America, as well as the way the press reported things over there.

He said many of the newspapers were only fit to be used as a water closet doormat. He was a Radical by nature and had a huge social conscience and whenever he saw anything that he felt was socially wrong he spoke out strongly against it. He became the people’s champion and that is why he was so loved in his time, apart from the brilliant fictional novels he also wrote. I think he would have taken the same approach to the social issues of today if he was alive now.

 

Which Charles Dickens character would you like to meet and why?

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A Moment With… Catherine Curzon and Eleanor Harkstead

I am very happy to be welcoming Catherine Curzon and Eleanor Harkstead to Novel Kicks today. They are celebrating the publication of The Man in Room 423, which they have co-written. 

 

About The Man in Room 423…

In a heady cocktail of passion and poison, who can you really trust?

When Lizzie Aspinall and her sister meet for cocktails in a high-rise bar, the last thing she’s expecting is to spend the night in the arms of the nameless man in room 423. As a one-night stand with a stranger turns into a steamy affair with a dedicated detective, Lizzie finds herself in the sights of a stalker.

Ben Finneran has spent ten years pursuing a ruthless serial killer who poisons victims at random before disappearing into the shadows. He wants to believe that the attraction he and Lizzie share is just physical, but when they find themselves falling for each other, is Ben unwittingly leading a murderer straight to her door?

Pursued by the past and threatened by the present, who can Lizzie and Ben really trust?

 

Catherine and Eleanor have joined me to talk about what it’s like to co-write a book, the highs, challenges and how the work is divided. Over to you, ladies. 

Catherine and I first crossed each others’ paths about three years ago when we were writing historical non-fiction for the same publisher, Pen and Sword. We got into a conversation one day about joint fiction writing, and after some hilarious conversations about Georgian gentlemen, we started to write a sandbox.

It started off with a plot but as we wrote it, it became huge and sprawling, written with the sort of freedom that isn’t possible with something that’s aimed for publication, and to be honest, written entirely to entertain ourselves. We’d written a huge amount in only a few weeks, by which point Catherine said maybe we should aim for publication.

Catherine had had a couple of titles out with Pride, who publish LGBT+ fiction, and we realised that the sandbox had some wonderful moments that could be developed into fully-fledged novels. The first novel to emerge was The Captain and the Cavalry Trooper, a romance about First World War soldiers, which was published in April 2018. Since then, Pride have published five more Captivating Captains novels, and five short stories. Our first title for their Totally Bound imprint was The Ghost Garden. It was published early in 2019, and we were very excited when it was shortlisted for the Romantic Novelists’ Association Romantic Novel Awards 2020. This year, we have two romantic suspense novels out from Totally Bound – The Colour of Mermaids and The Man in Room 423.

As to the how of our writing… we talk about ideas for stories in Messenger, then before we get writing, we’ll often have a Skype first. Then we write in Google Docs, which gives us a great deal of freedom because you can access the same document on a computer or a mobile device. I end up writing on my phone in all sorts of places – on the bus, in the tearoom at work, in the waiting room at the doctor’s, in the chair at the hairdresser’s waiting for my dye to finish!

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NK Chats To… Tracy Baines

Hi Tracy. It’s a pleasure to welcome you to Novel Kicks. Tell me a little about The Variety Girls and what interested you most about this idea?

When I was a teenager I lived and breathed variety theatre – in fact, any kind of live entertainment. Before and during the war was a golden age of variety and there was so much to draw on – all the wonderful theatre, and the end of the pier shows. When I was sixteen I got a job working backstage at the local theatre on Cleethorpes pier and from that time I was hooked. It was an absolute joy to revisit variety when it meant so much to morale during WW2.

 

 

What were the challenges when writing The Variety Girls?

A deadline, although that was really a God send as it turned out. It kept me at my desk, so I had to learn to overcome the distractions and self-doubt that normally plague me. Sometimes what you fear most is the driving force to success.

 

 

What’s your writing day like? Do you have any writing rituals?

I write for about three or four hours a day, but I’ll be thinking about the book all the time and I’ll have thought a lot about it before I start writing at all. There’s always research to do, but it has to be balanced with spending time with family and friends. It would be no joy to spend all day writing, not to me.

I don’t have any rituals other than playing music in the background and sometimes lighting a scented candle. Anything that helps me relax and settle to work.

 

 

What was your route to publication like?

I started with articles and then short stories. I wanted to write a novel but our life was very unsettled and so I never had the mental headspace to invest in a longer work. I went to classes and conferences and kept myself connected with other writers – and the short stories were excellent for learning to write tightly. A couple of years ago I decided that it was now or never and got stuck into a novel. It was the right time for me.

 

 

What’s your favourite word and why?

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A Moment With… Nia Rose and Octavia J. Riley

Octavia J. Riley

Nia Rose and Octavia J. Riley are co-authors of Spellbound and Hellhounds and Secrets of the Sanctuary, the first two novels in the Coven Chronicles. 

 

About Spellbound and Hellhounds, book one in the Coven Chronicles. 

Enter the world of Raen, turn left at the land of dragons, and you’ll find yourself in the country of Aeristria. A place overflowing with magic and creatures that were once only heard of in fairy-tales. In the heart of Aeristria is the capital city, Tolvade. Here you will find shops and taverns, laughter and fun, runesmiths looking for their next job and sneaky pickpocketing imps. Steer clear of the galloping gang of centaurs and you will see the headquarters of the prestigious Coven.

Within the Coven’s lower ranks, you’ll find Vanessa, a third-year Hunter itching to become a Spellweaver. Her and her trusted demon partner, Botobolbilian, must investigate an explosion at the academy and bring the culprit responsible in. Easy job, right?

Wrong.

Nia Rose

Vanessa and her partner find that this investigation runs deep in black magic and sprinkled with feral demon summonings. With countless lives on the line, Vanessa struggles with self-doubt and following her heart (and laws) as she tries to right the wrongs of these heinous criminals and bring them to justice before they do any more harm.

But, with an oncoming yearly blizzard just days away, is it too late? Even with all the magic, spells, and power on Raen, this job might be the last that this duo ever faces…

 

About Secrets of the Sanctuary, book two in the Coven Chronicles.

Thea Bauer has earned her way to being a highly skilled member of the Coven. Ranked as a Spellweaver, she’s assigned the more dangerous missions. Corralling a herd of wild unicorns? No problem. Taking down a witch riding the high of black magic? Piece of cake. Finding out why magic-based creatures are suddenly flooding the local sanctuary, protected by a powerful sorceress with a hatred for the Coven? Thea might need more than her tethered demonic partner to see this mission through.

She calls upon Summoner Rafe MacBain, a trusted colleague she’s known for years whose dreamy eyes might keep her up at night—but she’s not admitting that to anyone. He’s got his own demonic companion, and altogether they’re a force to be reckoned with. But, even with their combined strength, it might not be enough against feral demons escaping some of the farthest reaches of Hell.

As if that weren’t bad enough, Thea must conquer her own demons residing within herself that conjure up a painful past. Will she be able to overcome herself, or will the memories she’s tried to stray from keep her from fighting enemies in the physical realm? Thea is starting to wonder if the sorceress may be one of those enemies too. What secret is she hiding at the bottom of the sanctuary, and how will it affect everything Thea has come to know?

 

Octavia has joined me today to talk about duel writing and the challenges both she and Nia face. Thank you for joining me. Over to you.

 

Nia and I get asked quite frequently how we go about writing a dual-trilogy of the same world in the same timeline. We always look at each other and agree: challenging. Not in the “Oh, this is so hard“ or “You can’t do that, it doesn’t work with MY story” sort of way (not to say we haven’t said that once or twice…). It’s challenging in a way that forces us to think, adapt, grow, and roll with what we’re given. It challenges us as authors and puts our imaginations to the test, which is invaluable when delving into fantasy.

 

There’s definitely flaws and loopholes when writing  in a world shared by another author, but the beauty of that is that there’s two set of eyes to catch these loopholes. I remember we were so engrossed in our stories that we kind of got carried away, and Nia came up to me and was like, “Uh…hold on, was I at the Grim Bean the same time you were talking to the imp?” We realized that our characters did, in deed, come into close contact with each other, and this gave birth to our first cameo appearance in Spellbound & Hellhounds. We were able to sneak one more cameo appearance in when both of our characters were in Tasgall’s at the same time (something that we both realized later when we read over the story, because we clearly didn’t learn about paying attention to the timeline the first time). We’re those authors who don’t know exactly where the story’s going when we write it. We just write it however it comes to us. Neil Gaiman once said “Write down everything that happens in the story, and then in your second draft make it look like you knew what you were doing all along.”

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NK Chats To… 100Lick

Hello 100Lick. Welcome and thank you for joining me on Novel Kicks today. Your book is called Tedeskimna. Can you tell me a little about it and what inspired the story?

Hi Laura. Thank you for inviting me to this Q&A session and giving me this great opportunity. This is my first Q&A and I will never forget it.

Tedeskimma is a character driven narrative that is painted across a really wide canvas. It is primarily a story of 11 characters, and the 1 thing that connects them. It can, in many ways, be considered a collection of self-contained short stories, each of which deals with 1 of the book’s 11 characters. Each short story is different in terms of the kind of content it contains, as well as the kind of genres and themes it deals with. The short stories are, however, connected to each other, even if the characters in some of them may not be aware of this connection.

Some of these stories are action adventures, while others describe the desperate, dangerous and harrowing journeys their characters undertake for deeply painful and personal reasons. One of the parts is a coming of age story, while another puts the reader in the shoes of a married couple who are in the middle of a difficult situation.

The book does have some common themes throughout. However, each part of the book has its own themes as well. As far as genres go, this book is a mashup of a number of them. However, if I was asked to choose just one genre, then I would put this work under literary fiction.

The inspiration for this story arrived in multiple ways. The simple idea – multiple characters connected by a single object – that forms the basic premise of this book was what occurred to me first. Once I had that idea, I began thinking of what the stories of these multiple characters will be. A few ideas formed in my head, and they created the first few parts of the book. These first few parts were rather rough. They were fine plot wise, but they had no particular emotional core or message. But then, there were a few developments in our world which shocked me, and shook the very fiber of my being. I will not describe these in detail, but what I’m referring to will be readily apparent to all readers who pick up this work. What I witnessed made me feel hopeless. I felt like there was nothing I could do about the atrocities I was witnessing, except write about them, hoping that what I wrote would move others enough to rise up and do what I could not on my own. These parts formed the core of this book. In fact, it would not be a stretch to say that they completely redefined it. They helped me nail down the emotional component of this work. I completed my first draft, and then went back and reworked what I had written in the first few parts of the book since I now knew exactly what I was trying to achieve through this work.

In short, a great deal of pain and suffering birthed this book. It wasn’t personal circumstance, or a crisis I suffered. It was what I saw happening around me. I didn’t understand such cruelty and apathy back when I wrote this work, and I still don’t understand it. However, writing this book has made me feel like I at least stood up to the injustice I witnessed in some small way. I am not sure if it is a good thing or a bad thing. I guess it is what it is. I am hoping that this book does well, so that I can donate some part of my earnings from it towards the organizations that are fighting everything this work tries to put a light on.

 

 

What’s the challenge of writing a book as connecting short stories?

One of the biggest challenges I personally had while writing such a book was making sure that each short story got as much attention as it required. Initially, I had the tendency to try and make each short story equal in terms of page count. But, fortunately, I quickly realized that what I was doing was rather futile. Trying to make every part equal would’ve resulted in a lot of filler in some of the parts, and that would’ve done nothing but create disinterest on the reader’s part. So I refocused my efforts into giving each part exactly as much room as it needed to convey its core message.

 

 

What’s your writing day like? Do you need bottomless coffee? Silence?

I don’t really have any particular thing I need to begin my writing day, or to write. My biggest challenge when it comes to writing is just getting myself to start. It takes me a great deal of effort to just sit down and start writing. But once I do, within fifteen minutes or so, everything around me disappears, and whatever I’m writing about is the only thing in focus. At that point, nothing can pull me out of the zone easily. As for how I get myself to start, that is something that is entirely dependent on my mood at that time, along with how much willpower I can conjure up and use to push myself to just sit down and start writing.

 

 

What’s your favourite word and why?

I thought about this a lot, but I really cannot think of one. And I actually like the fact that I cannot come up with a favorite word. As a writer, words are one of the main tools at my disposal, and not having a favorite word might just be a nice advantage, since I won’t end up overusing a favorite word unintentionally, or intentionally.

 

 

What’s your writing process like, from idea, to first draft to final edit?

I have actually gone back and forth on this. When I started writing, my process was to try and plan the entire story meticulously and then follow that plan to completion. But I soon realized that once I started writing, I would get into this flow where the words just came out of me. Having to constantly look at and stay in sync with the plan interrupted this flow, and affected what was being written adversely. Over time, I have evolved my method, and what I do now is slightly different. I do create a detailed plan for any book whose plot is rather complicated and has a lot of moving parts. I keep this plan in my head and just focus on writing, without really looking at it. Once I’m done writing for the day, I make a note of everything from the plan that I forgot to include in whatever I wrote, and I keep adding things to this backlog list until I complete my first draft. I then tackle the backlog in my second draft while creating a similar list for draft three. I keep doing this until I’m moderately happy with the end result, after which I go through it two to three times to do my own editing. This is the point at which I send it out to others for feedback or editing purposes. I would love to keep my process going until I think the final result is perfect, but I force myself to avoid doing that because I really don’t think I would stop tinkering with it.

 

 

If you could go on an adventure with any fictional character, which one would you pick and why?

I would choose Dracula. My assumption is that an adventure with Dracula would require me to be a vampire as well. Being almost immortal would mean that I would get to see the world evolve and change. It would also mean that I get to meet enough people over time to truly understand human psychology. As someone who loves to write, the prospect of gaining a deep understanding of humanity is very tempting. This is all assuming Dracula is fictional of course – wink, wink.

 

 

Which three books have influenced you the most through your life?

To be honest, I don’t read as much as I write. Videogames, and to some extent, TV shows and movies, have influenced me a lot more than books themselves. However, out of everything I have read, I would pick The Gormenghast Trilogy by Mervyn Peake. The books had imagery unlike anything I had read before, and the stories itself were rather unique. These were some of the first books that actually transported me to the locations their pages described.

 

 

Which songs would be on a playlist for Tedeskimna?

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NK Chats To… Feyisayo Anjorin

Hi, Feyisayo. It’s a pleasure to welcome you to Novel Kicks today. What’s your route to publication been like?

It’s been quite interesting, starting with the birth of the idea, which got me excited about the whole thing because of my worldview and experience on love from my teenage years, and then editing process, and then getting the appropriate cover. I had a tough time with the designer because I felt he didn’t dig deep in creativity to get the best, but in the end I had to calm down. In the end, looking back, I would say that it was an exciting process.

 

What’s your typical writing day like?

I usually start with getting my family settled. I make sure I take my daughter to school and drive my wife to work. Then I get something to eat. I would sit on the table and work on my laptop with some music playing in the background. That happens earlier in the day. I hardly write after 3PM, so the next writing session is usually at night when my lovelies must have slept.

 

Your book is called The Stuff of Love Songs. Can you tell me a bit about it and what inspired the story?

It was inspired by the youthful search for true love. It is the story of a young man who was looking for something lasting, something beyond great sex, and a young woman who has tasted a fairytale-like relationship in the past and tries to give true love another chance. As usual, they face the challenges every good thing faces. It was inspired by the love songs I loved as a teen, and the promises of lovers in the stories in those songs, so as a teen I was always looking for the stuff of love songs.

 

What would be on a playlist for this book?

“Brighter Than The Sun” by Colbie Caillat

“Without You” by Mariah Carey

“Lucky” by Colbie Caillat featuring Jason Mraz

 “Two is Better Than One” by Boys Like Girls featuring Taylor Swift

 “Wait For Me” by KSA featuring Onyeka Onwenu

 “Slow Jam” by Usher featuring Monica

 

What’s your favourite word and why?

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NK Chats To… Tony DiGerolamo

Hi Tony. Welcome to Novel Kicks. I am so pleased you could join me today. Can you tell me a little about The Pineys and also about Wokeistan: A Novel and what interested you the most about each idea?

The Pineys is based on the legend of the Jersey Devil.  Instead of just one Jersey Devil, Mother Leeds was a witch that summoned hundreds of them into the Pine Barrens.  The nearby villagers of Abe’s Hat, NJ formed a secret society to hunt down the devils and send them back to Hell.  In the present day, the Galloways (and their many, many cousins) continue the hunt.  It’s kind of like Ghostbusters meets Men in Black meets Tucker & Dale vs. Evil.  It’s a lot of fun and is steeped in South Jersey lore and color.

Previously, I created the Jersey Devil comic book and a lot of my stories take place in South Jersey.  What interested me was exploring the culture of South Jersey in more detail and doing a story with a group of characters from a large extended family like mine.

Wokeistan: A Novel is a political satire in the vein of a Kurt Vonnegut, Jr. book.  I co-wrote it with Christian Beranek.  It takes place on an East Coast college campus in upstate New York and it’s about a student body that has a complete mental meltdown after Trump is re-elected.  It’s sort of the best (worst) of Social Justice Warriors from the last two years and mixing that with taking post-modernist ideology to its logical conclusion.  It’s funny, absurd and savage, but not that all unrealistic if you’ve followed the stories.

Christian and I were looking for a project to write.  We were considering doing it as a webcomic, but decided to write it as a novel.  She came by and stayed a couple of months.  We basically wrote it in two weeks.  It just really poured out of us.  It was an amazing experience.  The end result was a story that was equally funny and Orwellian.

 

 

What are the challenges to writing political satire and then a horror/comedy like The Pineys?

With Wokeistan, the story was already there.  Colleges have become so inbred intellectually, they no longer seem to function for the purpose for which they were intended.  Instead, we’ve developed a system that drains money from kids that are expecting an education and a career and instead they’re getting brainwashed and fleeced financially.  The challenge is, most people don’t realize how far the college system has degraded, so some read it and go, “What?  This is insane.  Nothing like this is happening.”  But many of the events of the book were based on things that actually happened on college campuses over the last few years.  I’m proud to say my nephew, who is in college, seemed to like it.  He helped proofread it.

For the Pineys, horror and comedy are closely linked.  They rely on surprise. This is the kind of stuff I’ve been writing for decades, but in the world of the Pineys I have no limits like I did with comics or trying to write a screenplay—  I guess the hardest part is keeping track of all the Galloway family members mentioned in the books.  It’s getting pretty tough at book six, which is what I’m currently writing.

 

 

How would you describe your writing style?

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NK Chats To… Kris Neri

Hi Kris. Welcome to Novel Kicks. Tell me a little about your book, Hopscotch Life and what inspired it?

Thanks, Laura. It’s great to be interviewed here.

Before I focused on a character, I knew there were themes I wanted to address in Hopscotch Life. One theme was that some of us judge ourselves harder than we would ever judge others. We’re simply not accepting of ourselves, and we don’t see all the wonderful character traits we might possess.

Another issue I wanted to deal with is the way our lives are sometimes on either a strong upswing, or a determined downhill slide. And that often we can’t bring that downward slide to a stop until we reach a pretty low point.

Those themes became my inspiration. With those in place, protagonist Plum Tardy then simply walked onto the page for me. Quirky, out-of-synch, hopscotch-playing, but still sweet, funny, and appealing Plum. She pulled it all together. Here’s how I describe it: Feeling like shes living in a country song, having just lost her job, her house, and her man, quirky Plum Tardy sets out in her usual hopscotch fashion to find a completely new town and a new man. But even knowing how out-of-synch she is, and how oddly she moves through life, Plum could never have predicted the unexpected way that trouble would find her, or the way her past would collide with her future.

 

 

Do you think strong characters or plot is more important to a reader?

While both are important, I believe it’s the characters we relate to, especially the protagonist. Once a writer creates a really well-developed character, that character points the way. She shows us how the plot should evolve because her actions drive it, and her choices reflect her. Besides, don’t we all love to find a protagonist we can cheer for, cry over, and champion when no one close to her does? We love to find a character who remains with us almost like a real friend after we finish a book. I’m not sure that most of us can care about a plot that much.

 

 

What’s your writing day like? Do you have any rituals?

I like to sneak up on my writing. I mull scenes over in my mind for quite some time before I write them. But then I write them fast. Sometimes that mulling takes place during sensible activities like hiking. More often it’s during sleepless hours in the middle of the night, when I stare at the bedroom ceiling in the dark, trying out different alternatives. I do have a few actual rituals. As I said, I walk or hike, I meditate, answer emails, and spend too much time scrolling through Facebook—but those are just stall tactics while I’m mulling, waiting to pounce on my scene the instant it’s ready to be written.

 

 

Tell me a little about your writing process? Do you research much before hand?

It varies from novel to novel. My last book, REVENGE ON ROUTE 66, which is a road trip mystery that takes place along Route 66 from California to Texas (in the US), required me to actually drive much of the route and take loads of notes. That was great fun, of course, but I also noted everything. I worried that I’d lack some critical information when I went to write it.

One of my novels, NEVER SAY DIE, a thriller, takes place in the San Diego, California area, and it involves the world of professional female triathletes. I filled boxes with all my setting material and the interviews I did with professional female triathletes.

In HOPSCOTCH LIFE, it was more a matter of creation. The town of Applewood, Arizona, where much of the novel takes place, does not exist. But I needed it to be such a rich place that the town would become like another character. I drew on some other towns I’d visited for aspects of it, but most of Applewood comes straight out of my own fertile imagination.

 

 

Do you tend to edit as you go or wait for a completed first draft? What do you feel are the benefits of doing it this way?

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NK Chats To… Laura Heffernan

Hi Laura (great name!) Thank you for joining me today. Can you tell me a little about your book, Time of My Life?

Time of My Life is a gender-flipped Dirty Dancing. Pole fitness instructor Janey needs a new partner for the end of cruise Talent Show after her friend Penny drops out due to illness.

When Frank steps up, she’s beyond skeptical, but she really doesn’t have anyone else who can help. As he learns the routine, Janey starts to fall for Frank. Unfortunately, if she acts on her feelings, she could lose her job.

 

What have been the challenges of writing within the Oceanic book series? Do you need to have read the other books to read yours?

The primary challenge was just figuring out how to balance several very busy authors with different schedules, especially since we’re living in 4 different countries (and multiple time zones). Once we talked through all the logistics and things really started getting moving, for me it was largely smooth sailing.

You don’t have to read the other books in the series to enjoy mine, but I recommend it. You might see someone you recognise.

 

Is character or plot more important?

To me, the character drives the plot. If Harry Potter had just kept his head down and gone to classes, Voldemort would have killed him in the first book. If Katniss Everdeen hadn’t stepped up to take her sister’s place, the Hunger Games series wouldn’t exist. Plot is important, but it’s the character’s choices that make things happen.

 

What’s your favourite word and why?

My favorite word has always been “defenestrate,” because it’s fun to say. But sadly, it’s not one I manage to work into conversation very often.

 

What advice do you have for someone suffering from writers’ block?

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